I gather that Disco Dancer has a bit of a legendary reputation amongst people who seek out bad films, especially bad films from Bollywood, and while there’s nothing in the movie that isn’t completely ludicrous, I have to say that there was not a drop of irony in my embrace of this film. It’s just so insanely, beautifully gaudy and completely nuts.
I don’t figure anyone goes into Yor expecting stunning revelations. You go in because you want to watch cavemen do somersaults and have laser battles with robots.
When Lucio Fulci came back from the hospital and saw what happened to the film, he screamed, tried to make them take his name off it, and then died a few years later. I don’t know if that last one is actually related to this film, but I’m sure it didn’t help.
It’s no secret that since the tail-end of the 1990s the Hong Kong film industry has had a rough time. After being gutted by gangsters for decades and plagued by the most rampant video piracy in the world resulting in films being available on bootleg VCD before they even opened in theaters, Hong Kong’s once…
If I say post apocalypse film, then chances are, one of two things will pop into your mind. What you won’t think of, I’m willing to bet, is a gritty Japanese yakuza film set in the years immediately after the end of World War II, but that’s exactly what Battles Without Honor and Humanity can be construed as.
And we were doing so well! Most movie studios can’t sustain the quality of a film series beyond two films — and quite a few have problems even getting that far. It was no small feat, then, that Hammer managed to produce not one, but two consistently good series. Their Dracula and Frankenstein films set…
Despite the weak ending, Taste the Blood is an exceptional entry into Hammer’s Dracula oeuvre. Even Christopher Lee grudgingly admits that it turned out to be a good film, though to this day he won’t stop going on about how corny the title is.
This lavishly colorful and thoroughly enjoyable comic book romp features what is without a doubt one of the most wonderful moments in all of cinema, if not the most wonderful. Having just completed a major heist, our cool-as-liquid-nitrogen anti-hero, Diabolik, returns to his sprawling, space-age underground lair full of cool pop art furnishings, where he…
If you miss the days when horror and science fiction, while not exactly being intelligent, were at least willing to play with lofty ideas and theories and mix them together with charm and drollness, then by all means hop on board the Horror Express and please forgive me for statements like that.
If you’re not worried about a film making sense until the very end, and even then just barely, then Scream and Scream Again is a pretty enjoyable romp. It doesn’t matter if you have high, low, or no expectations for this film. It will manage to confound them all.
Premature Burial remained for a long time the ignored entry into Corman’s cycle, more or less skipped over as people hastened to get from Pit and the Pendulum on to Tales of Terror, Masque of the Red Death and The Raven, when everything was back as it should be and Vincent Price was once again stalking across the screen
Lee is less of a presence here than in the last film, and his shadow doesn’t seem to loom as powerfully over everything when he’s not present as it did in Prince of Darkness. But when he does show up, he looks exquisite.