On Cultural Gutter, I’m Neuromancin’ with Myself. The early 1990s was when I read Neuromancer. Into this maelstrom of personal evolution and conflicting feelings came Billy Idol’s Cyberpunk.
In the whole of Ireland, there’s only one working distillery open to the public (Bushmills is technically in another country): the Teeling Distillery. In The Spirit of Dublin, I sit down with distillery co-founder Stephen Teeling to discuss his family history, the state of Irish whiskey, and the complicated process of building a distillery that is open tot he public in a country that has no guidelines for such a thing.
My trip to Ireland wasn’t all stone circles and eldritch pacts with ancient forces. I followed the Irish Whiskey Trail to visit the country’s distilleries – only to discover that you can actually visit the distilleries. But there are lovely museums.
Over on The Cultural Gutter, I’m looking at two series of scifi novels by Jack McDevitt in Archaeologists in Space.
Testi plays Milo, a small-time hood who, when the film opens is lugging his wounded buddy through a field after a heist that has apparently gone rather poorly. His friend dies, and Testi buries him in the field before getting arrested and ending up in a jail run by Oliver Reed’s Vito Cipriani.
Marketa Lazarová is the story of two rival clans: the primitive Pagan raiders the Kozlíks, lorded over by a brutal patriarch; and the slightly more civilized Lazars who, while unwilling to participate in the bloody raids perpetrated by the Kozlíks, is more than happy to scavenge for anything he might think could be of value.
If horror films have taught us anything, it’s that you should always be suspicious of a really good real estate deal. is that house a gorgeous vision of Victorian craftsmanship on the market for peanuts? Don’t buy it, unless you plan to use it as a place to which you invite a group of apparent strangers with the promise that if they can survive spending one night in it, you’ll give them a million dollars.