I hate the Spanish horror movie The Blood-Spattered Bride, but I still managed to involve myself in nearly two hours of talking about it on an episode of The Trashy Trio Podcast. OK, maybe 40 minutes was about The Blood-Spattered Bride.
Over on The Cultural Gutter, I’m celebrating Eiji Tsuburaya, Ishiro Honda, and aliens who want to steal our women! Beneath the Mysterian Dome is a look at The Mysterians and Battle in Outer Space, two of the biggest special effects blow-outs the the Honda-Tsuburaya team created.
April at The Cultural Gutter is the month we take a break from our usual beat (mine is science fiction) and write about something else. So I wrote about The Search for Weng Weng and how passion for film (or any creative art) can lead to real-life fun and adventure.
A fan of silent serials and a precursor to the French Nouvelle Vague, Georges Franju was inspired by the early thrillers of Louis Feuillade when he made the haunting, at times shocking, story of a disfigured woman, a driven scientist, and the horror of physical beauty.
I have a new one up on The Cultural Gutter! Yesterday’s Tomorrow: A Visit to Tativille is a look at one of my all-time favorite films, 1958’s futurist farce Mon Oncle by Jacques Tati.
Over on the Cultural Gutter, I’m writing about the musical science fiction spectacle Just Imagine. Vaudeville on Mars is a look at the similarities between the lavish 1930 Fox Studios production and the 1928 Soviet film Aelita, Queen of Mars; as well as a celebration of the outrageous costume and set design.
Italy’s Berlusconi era was characterized by the decadence and corruption of the country’s prime minister. Director Paolo Sorrentino admits that while the decadence was fun, it created a cultural stagnation from which, perhaps, it’s time to emerge.