There’s just something about the combination of the Western genre’s Spartan, rough-hewn aesthetic with Bollywood’s tendency toward the exuberant and phantasmagorical that I find hard to resist. If you want to join me in this new obsession, Kaala Sona is certainly a good place to start.
Aside from plenty of fun dinosaur and caveman adventure, The Land that Time Forgot offers up really one of the most downbeat and apocalyptic endings of any movie aimed at kids.
The Pirates of Blood River is still a solid adventure tale, with plenty of action, a dependable cast, and a look that fools you into thinking this is a much higher budget film than it actually is. It’s nice to see these old Hammer swashbucklers getting some attention.
I’ve mentioned elsewhere that I find the Philippines’ Tagalog language pop cinema of the 1960s strikingly similar to Turkish pulp cinema of the same period. The products of both are comparably rough hewn and action oriented and, by necessity of their staggering volume, bear the hallmarks of being churned out at a very brisk pace….
What with my recent cinematic diet consisting mostly of overheated Bollywood masala movies and plagiarism-filled Thai man-in-suit monster sagas, I’ve gotten well past the point where it’s time to mix things up a bit. And what better respite than to watch some attractive French people screwing and languorously declaiming about the futility of it all?…
Realizing that I was witnessing something completely weird, I threw a tape into my VCR and recorded about 70% of the film. It became one of the most cherished gifts I ever gave my stoner buddy Ken. But I can’t even play the ‘dude, I was so wasted’ card, because I was stone cold sober at the time
To judge the film by its shortcomings would be unfair, because the charms that would mitigate them — all of those things that are wonderful about Insee Thong — are less easy to fully appraise.
You’ve perhaps picked up a dvd because its cover bore a picture of, say, Amitabh Bachchan in shades and a bowtie carrying a scope rifle with something blowing up in the background, only to find that the movie contained therein had a couple of underwhelming action set pieces, but was mostly three hours of some guy crying about his mom.
Granted, stories about murderous frog men lurking in the center of a hedge maze may seem like a strange bedtime story, but I was a strange kid, and anyway, children’s bedtime stories used to be all full of cannibalism and witches and trolls who steal the fingernails of naughty little boys and girls who don’t eat their stinky boiled kale.
Merrick and Marina betray Hauer’s Wade and shoot him dead, presumably over the lack of judgment he demonstrates in choosing his outfit from the Glenn Fry ‘Smuggler’s Blues’ collection.
Ultraman was very popular in Thailand, and in 1973 Sompote Saengduenchai approached Tsubaraya Productions with the idea of co-producing a series of films that would team their heroes with figures from Thai folklore and mythology.
As such, it can simply use it’s resemblance to those other films as a terse signifier of those themes (the fetters of family honor, the value of friendship and community, etc.), while it goes briskly about its real business of being a violent and somewhat trashy little potboiler.