The Return of Captain Invincible

A washed-up, alcoholic superhero must pull himself out of depression and obscurity in order to defeat the villainous Christopher Lee in one of cinema’s first deconstructions of comic book superheroes. It also happens to be a musical.

Trashy Trio: The Blood-Spattered Bride

I hate the Spanish horror movie The Blood-Spattered Bride, but I still managed to involve myself in nearly two hours of talking about it on an episode of The Trashy Trio Podcast. OK, maybe 40 minutes was about The Blood-Spattered Bride.

Cultural Gutter: Beneath the Mysterian Dome

Over on The Cultural Gutter, I’m celebrating Eiji Tsuburaya, Ishiro Honda, and aliens who want to steal our women! Beneath the Mysterian Dome is a look at The Mysterians and Battle in Outer Space, two of the biggest special effects blow-outs the the Honda-Tsuburaya team created. Prepare yourself for tiny space battle son an epic…

Cultural Gutter: Keep Searching

April at The Cultural Gutter is the month we take a break from our usual beat (mine is science fiction) and write about something else. So I wrote about The Search for Weng Weng and how passion for film (or any creative art) can lead to real-life fun and adventure.

Eyes Without a Face

A fan of silent serials and a precursor to the French Nouvelle Vague, Georges Franju was inspired by the early thrillers of Louis Feuillade when he made the haunting, at times shocking, story of a disfigured woman, a driven scientist, and the horror of physical beauty.

Cultural Gutter: A Visit to Tativille

I have a new one up on The Cultural Gutter! Yesterday’s Tomorrow: A Visit to Tativille is a look at one of my all-time favorite films, 1958’s futurist farce Mon Oncle by Jacques Tati. Tati’s third film, and the second to feature the iconic character of M. Hulot, Mon Oncle is a film built largely on the shoulders…

Cultural Gutter: Vaudeville on Mars

Over on the Cultural Gutter, I’m writing about the musical science fiction spectacle Just Imagine. Vaudeville on Mars is a look at the similarities between the lavish 1930 Fox Studios production and the 1928 Soviet film Aelita, Queen of Mars; as well as a celebration of the outrageous costume and set design. All of which is really…

The Great Beauty

Italy’s Berlusconi era was characterized by the decadence and corruption of the country’s prime minister. Director Paolo Sorrentino admits that while the decadence was fun, it created a cultural stagnation from which, perhaps, it’s time to emerge.

Space 1999: Aliens Are Jerks

The short-lived television program Space: 1999 taught us many things about our depressing universe. Chief among its concerns: reminding us every week that our fellow inhabitants of the galaxy are at least as awful as we are, only with magic powers. Space: 1999 taught me two valuable lessons. The first is that space is depressing…

Battles without Honor and Humanity II

I’ve been sitting here trying to think of an adequate way to describe exactly what it is that Sonny Chiba does and wears in this second film in Kinji Fukasaku’s highly enjoyable, highly influential Battles without Honor and Humanity series of films that delve into the world of organized crime and the role it played…

Colossus and the Amazon Queen

People unfamiliar with genre films sometimes have this weird idea that the movies all carry themselves with an air of complete seriousness, that a particular type of film can’t possibly be aware of its own cliches and pitfalls until some smarmy mainstream director steps in and makes a spoof. That spy movies, even James Bond,…

Legend of Suram Fortress

One of the great joys of watching movies from countries and cultures with which I have maybe, at best, a passing familiarity is discovering their language of film — both in their mainstream as well as their fringes. There is a thrill in discovering how differently one country, one region, one filmmaker can interpret how…