The failure of A Chinese Ghost Story: The Animation wasn’t solely in the American arena, either. If Tsui Hark had been hoping to kick off an era of new Chinese animation, he didn’t pull it off.
Studies of Russian cinema tend to be studies of Soviet cinema — classics from the glory days (such as they were) of the communist powerhouse. Russia has moved on, though, both cinematically and culturally (though Vladimir Putin would love if that wan’t the case), and modern Russian cinema is a very different beast than the…
Anyone who is familiar with the tropes of the sword and sorcery genre will be on firm ground, but the fact that Wolfhound lacks originality doesn’t mean it lacks for entertainment value.
In the spirit of sleazy old “true confessions” magazines, here’s my confession: I am a life-long easterner, raised in Kentucky, schooled in Florida, happily living the rest of my life in New York City. All three locations are awash in hardboiled, noirish, and/or Southern Gothic credibility. And while I have no intention of leaving New…
Pretty much the only reason this movie went into production was that someone noticed that had a lot of stuff laying around that was used on Brescia’s previous movies and figured they might as well squeeze another movie or two out of it.
England’s Hammer Films had the misfortune of releasing their nicely decorated but somewhat tepid science fiction romp Moon Zero Two in the wake of 1968’s two big genre-changing films, and as a result, Hammer’s effort comes out looking decidedly small-scale and quaint. Perhaps even more crushing, Hammer released their breezy little moon adventure movie in 1969 and wound up competing directly with the actual Apollo moon landing.
In the great scheme of things, Forbidden Planet is still probably the coolest of the 50s sci-fi films, if for no other reason than it’s completely weird musical score, but World Without End is a two-fisted action-packed little brother that may not be as respectable or ambitious, but just might be more fun.