In the end, we’ll probably never know how this movie ever got made, and I suppose that, even though I would love to have my curiosity regarding the matter satiated, all that really matters is that it was made.
After a stormy start, the two become closer, eventually even falling in love — which would be sweet if Hsiao-Chien didn’t turn out to be a ghost, her well-appointed villa an illusion covering a decrepit haunted house, and her mistress a demanding old ghoul with a taste for souls.
Lovestruck Sagawa arrives at the remote, spooky family mansion of his girlfriend Yuko, worried that she has sort of dropped off the face of the earth. He is shocked to learn from Yuko’s oddball mother that Yuko was killed in an automobile accident a couple of weeks earlier. The stunned Sagawa stays the night in the creepy old place, and during his time there he is visited by none other than his dead girlfriend.
Drac’s dialogue was choice, and the comic was full of half-naked vampire chicks, crossbows, cane swords, reanimated corpses, and bikers in furry lambswool vests and droopy mustaches
Over yonder on Alcohol Professor, I wrote an article about visiting Corsair Artisan Distillery in Nashville.
Samurai films have a curious knack for expressing compassionate, humanist ideals via soul-crushing bleakness and violence. One would be hard-pressed to find a bleaker, more violent indictment of the romance of the samurai — and the culture of violence in general — than director Tai Kato’s blood-drenched and aptly named Brutal Story at the End…
Over on Alcohol Professor, I write about visiting Virginia’s A. Smith Bowman whiskey distillery and meeting their master distiller, Truman Cox.