Dagon walks the line between horror and comedy more deftly than did Re-Animator, which tended to give in with youthful exuberance to its more outlandish tendencies
That everyone remembers Raiders of the Lost Ark and almost no one remembers High Road is no great crime against art. Those who do remember High Road remember it fondly, for the most part. I can’t say I adore it the way many do, but I certainly understand its charms even if its occasional shrill voice renders the charms less effective for me.
And while making a claim for any film as the first giallo will only degenerate into an unresolvable debate akin to naming the first punk rock band, a lot of people tend to agree that it’s Mario Bava’s Blood and Black Lace — which I’ve never seen.
GI Joe: The Movie feels like marketing was supposed to be first, but the screenwriter had so much booze and amphetamines that the whole thing veered off into the outer limits of madness. There’s just nothing in it that is well-done, and you know that from me, that’s an endorsement.
There’s a story about the day Sho Kosugi first arrived in the United States in pursuit of his dream of movie stardom. As the legend goes — for surely anything related to Sho Kosugi must qualify as legend, shrouded in myth, mist, and mystery — Sho stepped off the plane at LAX and meant to…
Project Eden is meant to be nothing more than action-packed space adventure. It delivers in spades. The action is plentiful, the comedy mostly succeeds, and the characters are, while not exactly deep, certainly well thought out enough to make hanging around with them enjoyable.
A serviceable if somewhat awkward masala adventure, very much in the spirit of old exploitation films that seek to teach us the perils of assorted alternative lifestyles even as they indulge in endless scenes of said lifestyle.
Let me be up front: the whole reason I wanted to watch this film in the first place was because the poster art featured a torch-wielding naked woman riding atop a tormented centaur. I knew it was probable nothing like that would ever occur in the actual movie (and I wasn’t disappointed in my pre-disappointment),…
I was left celebrating the merits of the film while all those around me who had seen it more recently made with the ominous proclamations of, ‘You’re going to be disappointed with that one, chief.’ Impossible! I mean — seriously: magic carpet dog fights!
Bat Without Wings takes the now familiar Chor Yuen wuxia trappings and injects an element of the horror film into them. Yuen’s style has always seemed somewhat informed by a combination of horror films and old mystery serials, packed as they are with sinister cults, trap doors, secret identities, and hidden chambers.
The underlying story — about a man discovering the world beyond the safe confines of his palace home, as well as discovering the sordid past of his otherwise heroic acting father — may take a back seat to all the chicken leg kungfu and lasers, but its presence at all makes Battle Wizard a cut above the usual fare.
When innovative Shaw Bros. studio director Chor Yuen teamed up with martial arts novelist Lung Ku and the Shaw’s top kungfu film star, Ti Lung, they made beautiful music together. In 1977 the trio collaborated to create two of the best martial arts films ever made, Clans of Intrigue and Magic Blade. The success of…