Enchanting Shadow

After a stormy start, the two become closer, eventually even falling in love — which would be sweet if Hsiao-Chien didn’t turn out to be a ghost, her well-appointed villa an illusion covering a decrepit haunted house, and her mistress a demanding old ghoul with a taste for souls.

Vampire Doll

Japan’s occasional flirtations with an interest in vampires are, like most things having to do with Japan and Western pop culture, a bizarre mix of revulsion and fascination with the foreign — a dichotomy that is almost certainly (in my eyes) born of the interests of the young simply not lining up with the prejudice…

Dracula, Sovereign of the Damned

Drac’s dialogue was choice, and the comic was full of half-naked vampire chicks, crossbows, cane swords, reanimated corpses, and bikers in furry lambswool vests and droopy mustaches

Urban Bourbon: Brown-Forman

Maintaining the most notable presence amid the scattered remnants of Louisville’s once mighty whiskey distilling industry is Brown-Forman. Their facility near the corner of Dixie Highway and West Broadway (right across the street from Heaven Hill) is crowned with a giant bottle of the distillery’s signature product, Old Forester Bourbon. There is a second location…

Brutal Story at the End of the Tokugawa Shogunate

Samurai films have a curious knack for expressing compassionate, humanist ideals via soul-crushing bleakness and violence. One would be hard-pressed to find a bleaker, more violent indictment of the romance of the samurai — and the culture of violence in general — than director Tai Kato’s blood-drenched and aptly named Brutal Story at the End…

Ghost Stories of Wanderer at Honjo

Researching the history of Japanese yokai in cinema is a difficult task. At least, it’s a difficult task if, like me, you don’t read Japanese and are kind of lazy. Almost all of the English language writing about movies involving these bizarre and multitudinous creatures from Japanese folklore focuses on the three loosely related yokai…

Godzilla’s Revenge

If more Godzilla fans could get the broom out of their ass and actually enjoy the films rather than nitpick and dissect them under an electron microscope, they’d see that in its own way, for its own audience, Minya and Godzilla’s Revenge are as effective and important to the series as the original.

Stray Cat Rock: Sex Hunter

During the 1970s, Japan’s Nikkatsu Studio became famous, and yes most likely infamous, as the number one home for sleazy sexploitation, violent pink films, and just softcore porn in general. Although hardly the stuff of highbrow cocktail party conversations, the thoroughly exploitive nature of the Nikkatsu films doesn’t mean there wasn’t a lot of boldness…

Black Tight Killers

When we reviewed 3 Seconds Before the Explosion, we stated that it was one of two Nikkatsu Studio espionage films released onto the home video market in the United States, both starring studio mainstay Akira Kobayashi. We also said that 3 Seconds Before the Explosion, daft though it might have been, was the more conservative…

3 Seconds Before the Explosion

When Nikkatsu Studio began to gain steam once again in the 1950s, thanks to the success first of their “Sun Tribe” films and then their “borderless action” style, their marketing department struck upon the clever idea of selling the studio’s top young stars as a brand name — the Diamond Line, as they would be…