Defiant Fairy Tales

On Diabolique, I am writing about the Czech fantasy film Valerie and Her Week of Wonders and how it reflects Czechoslovakia during the rebellious Prague Spring.
Read moreFestivity, Revels, and Nocturnal Dalliances
On Diabolique, I am writing about the Czech fantasy film Valerie and Her Week of Wonders and how it reflects Czechoslovakia during the rebellious Prague Spring.
Read moreOn the Cultural Gutter, I am Searching for Odin, My Love — one of the most expensive, most lavish, most boring, and most infamous anime flops of all time.
Read moreThe Japanese entries into the Invisible Man sweepstakes might not have been an official part of the series, but they certainly hold their own against Universal’s films.
Read moreWorld Without End is an action-packed, low-budget blend of HG Wells’ The Time Machine and Planet of the Apes, which it predates by many a year. That’s time travel for ya.
Read moreStrip Nude for Your Killer is a sleazy, offensive bit of giallo trash, but at least it wastes no time letting you know exactly where you stand.
Read moreSex, the Italian coast, outlandish murders — everything in The Sister of Ursula operates under the directive of “This should be good, but we’re going to mess it up.”
Read moreWhen it comes to truly loathsome characters in giallo, few can match The Case of the Bloody Iris, a film in which everyone is hateful or stupid; or more often, hateful and stupid.
Read moreThe Bloodstained Butterfly has the elaborate murders and red herrings one expects, but it also spends time on police procedure, forensic science, and courtroom maneuvering.
Read moreWhatever shortcomings Nobuo Nakagawa’s Lady Vampire Has are not enough to counter its chaotic appeal. It may be less gory than his next film, and it may make no sense, but it has an enthusiastic willingness to be weird.
Read moreAll the Colors of the Dark is a a film that delivers all the requisite elements of a giallo and then some, with the peak popularity of giallo being combined with the trend in devil worship and witchcraft movies.
Read moreWho Saw Her Die? is the rare giallo that attempts this, and the rare one that succeeds, and it is thanks primarily to a committed performance from former James Bond George Lazenby in a role that puts him through an emotional ringer.
Read moreBeneath Ercoli’s tweaks of the nose is a typically giallo approach to storytelling, which is to take a relatively straight-forward story and relay it in the most convoluted, difficult to follow fashion.
Read moreThe Bird with the Crystal Plumage remains to this day a highly regarded classic, and rightfully so. Decades after it’s release, and decades after legions of imitators, it still feels fresh, inventive, and shocking.
Read moreWhen people imitate hardboiled fiction, they’re imitating Mickey Spillane. Every sentence is boiling over with hate and disgust. Every thought is of violence.
Read moreDespite coming out in 1971 — a banner year for giallo — Slaughter Hotel plays like one of Jess Franco’s lesser efforts, or something from bottom-of-the-bucket production house Eurocine.
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