Karel Zeman Galleries

Recently, we posted a look at the films of Czech animator and filmmaker Karel Zeman. Since basically every frame of each of his films is an amazing screencap, we went a little overboard. However, in an effort to keep the article itself from reaching epic lengths and load times, it included only a limited number of pictures. Since the films deserve indulgence, here are all the screenshots we made.

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Prague Museum of Communism

Nestled with irony between a McDonald’s and a casino is Prague’s Museum of Communism (only the KGB Museum has a more deliciously ironic location, next door to the heavily guarded U.S. embassy). It walks the thin line between being another tacky tourist trap museum (which I love) and an actual educational experience (which I also enjoy), with the over-arching message of, “Communism — that sure did suck.”

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Mysteria Pragensia

If Prague’s Museum of Medieval Torture Instruments proves a little too well-behaved and respectable for you, then perhaps you should switch gears a little bit and explore the two museums that make up the Mysteria Pragensia. Tapping into Prague’s rich occult and magickal history, the Museum of Alchemists and Magicians, and its sister museum down the street, The Museum of Ghosts and Legends, offer up all the gruesome wax dummies and delicious strange lore you want from a proper tourist trap museum.

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Prague Museum of Medieval Torture Instruments

I think every city of even modest size in Europe has at least one museum dedicated to the cruel and imaginative ways Europeans tortured one another during the Middle Ages. Prague, being a city that deals quite cannily with tourists, has a few torture museums. I’ve heard that many of the implements displayed in these types of museums were dreamed up mostly for the museums themselves, but I’m no scholar of medieval torture, so I can’t say. They seem believable enough to me, based on the research I’ve done of watching The Witchfinder General starring Vincent Price.

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Vintage Spookshow Ballyhoo

During the 1950s, 60s, and even into the 1970s, regional movie houses and drive-ins would often find themselves the temporary homes of traveling Halloween spook shows. Usually staged in conjunction with a series of cheap horror movies, the spook shows were stage events consisting of magicians, bad skits, bad special effects, and a whole lot of Frankenstein masks. In later days, the expected awfulness of such shows was part of the appeal, but int he early days of promising the terror of untold aeons unfolding live before your very eyes, then delivering a guy in a fright wig running down the aisle, the impresarios behind these productions often hot-footed it out of town one step ahead of the angry crowds whose money now stuffed the huckster’s pockets.

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