It is logical, and it seemed easy enough, to begin a discussion of The Cat and the Canary with a discussion of the history of “old dark house” mysteries — […]
I’m going to have to cram a bunch of history up front in this review, so if you already know most of it, please forgive me. I feel it sets […]
It asks certain concessions be made on the part of the viewer, but if you are willing to make those, it’s truly one of the most mesmerizing, fantastic films around
The martial arts on display in Legend of the Bat are a wild and wonderful mixture of sword fights and kungfu clashes with plenty of supernatural abilities on display. People can punch through walls, jump over buildings, fight off dozens of attackers, and chop off their arm without giving it a second thought.
The movie’s tale of an innocent trapped in a den of scoundrels is told with enough style and effectiveness to show that, despite its poverty row roots, a considerable amount of care went into its making. To my mind, it would be nice to see that care rewarded with a little retroactive TLC.
That it never received a theatrical release in America is a no-brainer; distributors would undoubtedly have hit a mental logjam trying to market a movie that looks on the surface like a family film but plays out like an angst-ridden version of The Aristocats as imagined by Eli Roth.
It looks beautiful, the actors and the characters that they play are incredibly appealing, the action is wonderfully staged and literally non-stop, and the atmosphere is so rich with romance and intrigue that it’s enough to send you into a ninety minute swoon.
The Moonstone marks our first real foray into a universe in which we will be spending a lot of time: the Poverty Row thriller. An understanding of what Poverty Row […]
If you are looking for a good and proper introduction to the world of Italian murder mysteries, Strip Nude for Your Killer is not your movie
As an action film, Clans of Intrigue doesn’t disappoint, though it is heavier on discussion than some people might want. Chor Yuen’s work is the missing link between the classic wu xia films of the 1960s like Come Drink With Me and Temple of the Red Lotus, and the wildly over-the-top new wave swordsman films of the 1980s such as the Swordsman trilogy and Zu.