For my money, the double whammy of Curse of Frankenstein and Revenge of Frankenstein represents the high water mark for Hammer horror productions. They’re simply wonderful films, perfectly connected to one another without the sequel being a derivative rehash.
It’s great to see Christopher Lee back in action again as the count, and really, that alone is enough to make this film enjoyable. Lee swore this would be the final time he’d play Dracula for Hammer. He was, naturally, back again as the count very shortly there after.
If Brides of Dracula is the forgotten Dracula film, I can’t imagine it will stay that way for very long. It’s simply too good. Maybe not quite as good as the original, but definitely the equal of the next sequel, Dracula, Prince of Darkness, which saw the return of Christopher Lee to the role of Dracula.
As is the case with both Horror of Dracula and Curse of Frankenstein, one can’t help but compare it to the old Universal film. I’m a big fan of Karloff’s The Mummy, and I’m a big fan of this one.
The look and style of a Hammer film would become as much a trademark as the blood, the buxom beauties bursting out of their bodices, and Christopher Lee and Peter Cushing chasing after one another and wearing those Victorian overcoats.
Hammer rushed out two more horror-scifi amalgamations, then in 1956 went to work on what was to be their first in a series of films that were, depending on who you are, either adaptations of classic works of British gothic horror, or remakes of old Universal Pictures horror films.