Since I started Teleport City many moons ago, I’ve gotten a lot of email from people claiming to be ninjas. One was so batshit insane that I had to break confidence and send it around to other people. I’ve since lost it, but maybe someone still has it. It’s the one where a single sentence goes on for a full page. There was also a guy who used to write all the time and tell me about how he was a member of a secret ninja society that guarded Washington, D.C. But my favorite email is probably from a ninja who believed beyond a shadow of a doubt that I was Jim Kelly. The first time he wrote me, telling me how he loved my movies and wanting to know if I had any merchandise for sale, I did my best to let him down politely and tell him I’m not Jim Kelly without making him feel stupid. Then a few months later he wrote me, addressing me as “Mr. Jim Kelly” again. This time he was asking me what I’d been up to and when I was going to make another movie. For this time, I just didn’t reply, figuring that would cause him to lose interest. It didn’t.
The Cold War produced a lot of great films, or at least a lot of enjoyable ones. It also produced some godawful dreck, though even some of that dreck was at least entertaining. Cold War paranoia films took on many forms. In the 1950s, there were a lot of those “realistic” atomic war movies that consisted mainly of a group of people sitting around in a bar discussing matters until an atom bomb fell and blew everyone up. The more creative films let giant red ants or some such creature stand in for the commies. Some of the more outlandish entries even had secret plots by the Chinese to tunnel under the Pacific Ocean and pop out in California ready for an invasion. During the 1960s, the Cold War sci-fi film gave way to straight-up espionage thrillers inspired by the success of the James Bond films that always involved the Reds trying to steal some terrible device we never should have invented in the first place. Luckily, there’s always a square-jawed G-Man on the case, ready to dish out some beat-downs and bed some Eastern Bloc babes. The best Cold War films of the 1960s were most definitely coming from Italy, Spain, and Germany. The Eurospy film was born, and it was probably one of the greatest achievements of the Cold War era.