Who’d have thought, back in the 1960s, that our nation’s youngsters were being fed communist propaganda by one of the most mercenary elements within the American film industry? Well, a lot of people, probably. It was a pretty paranoid time. Still, had they known, those people could have at least taken comfort in the fact that it was being done out of only the most purely capitalistic motives. After all, Eastern Bloc science fiction movies presented an irresistible lure to B movie producers like Roger Corman and his ilk. Being that they served as representations of the bright, technologically-advanced future achievable through socialism, these films were often the beneficiaries of relatively lavish government funding, and, as a result, boasted special effects and production design that were well beyond what makers of American sci-fi cheapies could afford. All that remained for these yanks to do, then, was to acquire these films and then strip them of everything that might identify them as being the product of a communist country — a process of Americanization that often resulted in the original films being disfigured almost beyond recognition.
It didn’t take long for the genres of horror and science fiction to start mingling. It’s a natural marriage, after all, and the two often blend seamlessly, the best and among the earliest example likely being the first two Universal “Frankenstein” movies. Throughout the 1950s, horror and science fiction were frequent bedfellows as atomic terrors ran amok across assorted landscapes. Increasingly, however, it was the science fiction element of the films that was in the forefront, with the horror placed in the background unless one was genuinely terrified of superimposed grasshoppers. By the middle of the 1950s, science fiction was still enjoying the occasional big budget celebration a la This Island Earth (1955) and Forbidden Planet (1956) while horror films were becoming increasingly cheap, b-movie quickie affairs. Not that that means there weren’t plenty of gems in the mix, but compared to science fiction, horror was lagging.