Vampyr is a silent film with sound, a surreal parade of images that found itself caught uncomfortably in between the end of the silent era and the dawn of talkies. A critical and commercial failure in its day, it is … Continue reading Vampyr
Russian author Aleksey Nikolayevich Tolstoy wrote the stories that served as the source material for two of the Soviet Union’s best-known science fiction adventures: the futurist fantasy Aelita, Queen of Mars and the Fantomas-inspired pulp thriller The Hyperboloid of Engineer … Continue reading Mad Science and Martian Maidens
A new Frolic Afield! I’m back on Cultural Gutter writing about the rarity of Jewish horror films. Hebrew Horrors looks at two horror films that are set within the realm of Jewish folklore: 1920’s well-regarded and somewhat controversial Der Golem, and the little-known Yiddish-language horror film The Dybbuk. Continue reading Cultural Gutter: Hebrew Horrors
Cecil B. DeMille’s final silent film, The Godless Girl, had the misfortune of being released in the shadow of The Jazz Singer, making it a casualty of the rapid shift in public tastes from pictures that didn’t talk to those that did. As a result, it became something of a footnote in DeMille’s career, which is a shame. For people, like myself, who entertain a fairly narrow conception of the director based on his association with Bible-thumpers like King of Kings and The Ten Commandments, viewing it can be an eye-opening experience — because even though it is, in part, concerned with the spread of atheism among the young people of its day, it doesn’t quite come down on that topic in the way you might expect.
This movie offers so many potential avenues from which I could approach it that I’m finding it almost as overwhelming as climbing the north face of the Eiger while an unknown assassin tries to kill me because he knows I’m trying to kill him. There’s the career of geologist-filmmaker Arnold Fanck, whose fascination with mountains and mountaineering resulting in a series of films possessed of breathtaking beauty and power. There’s the subject of mountaineering itself, and of the depiction of mountain climbing in film. There’s the subject of silent film, and more specifically, silent spectacle and action films, which were far more lavish and epic in scope than most people ever imagine. And perhaps the 900 pound gorilla in the room is the bizarre and difficult career of German actress turned Nazi propagandist and, until her death in 2003 at the age of 101, the world’s oldest living certified scuba diver, Leni Riefenstahl. Hers is a story of incredible talent, revolutionary film technique, terrifying loyalty to Adolf Hitler, arrest by a naval intelligence officer working with a John Ford film crew, war crimes, and after the dust settled, a career as an underwater nature photographer.