Interpol 009 has everything you’d want in a 1960s spy movie–except for a memorable villain, a spectacular crime, and audacious action set pieces. On balance that leaves you with attractive stars, lots of nicely photographed scenes shot in glamorous locations, … Continue reading Interpol 009
After a stormy start, the two become closer, eventually even falling in love — which would be sweet if Hsiao-Chien didn’t turn out to be a ghost, her well-appointed villa an illusion covering a decrepit haunted house, and her mistress a demanding old ghoul with a taste for souls. Continue reading Enchanting Shadow
Thanks to the release over the past decade of a large portion of the Shaw Brothers catalog on DVD, it should no longer be a secret to anyone who cares that the venerable Hong Kong studio was responsible for far … Continue reading Temptress of a Thousand Faces
On occasion, we here at Teleport City are accused of being, perhaps, not the most discerning of viewers, susceptible to pretty colors, flashing lights, and naked flesh that blind us to the fact that a movie might otherwise be one of the most atrocious pieces of crap ever made. Frustration can occur when someone looks to us, sees us shrug and go, “It seemed all right to me,” and takes that as a recommendation that eventually winds up with them writhing on the floor, clutching their head in agony as they succumb to the mind-melting wretchedness of a movie I thought wasn’t really all that bad. I can’t say I have done such things with a completely clear conscience. I may have mislead a few people into thinking the Star Wars Holiday Special was going to be hilariously awful instead of just regular ol’ boring awful. But for the most part, it’s true that I enjoy a lot of really terrible movies that I recognize other people probably should not watch. And the sad, sick thing is that I don’t enjoy these movies with any sense of ironic detachment or “so bad it’s good” emotional distance; I genuinely enjoy Treasure of the Four Crowns.
As I said way back when in our first review of a Chor Yuen film, and likely in every subsequent review of a Chor Yuen film, discovering his body of work was one of the best cinematic things to happen to me in years. Since that day I first brought home the then newly released DVD of Killer Clans, I’ve made it a point to purchase any of the wuxia films he directed for the Shaw Brothers Studio. Needless to say, the films are not as surprising as they were during those heady first few dates, but I can say we’ve definitely settled down into a very comfortable and happy relationship. His films still prove immensely entertaining, and the more familiar I become with it, the more I notice the differences that occur from one film to the next within what I reckon we should refer to as Yuen’s Martial World.
It seems like there was a period in the history of Hong Kong’s Shaw Bros. Studio when Sir Run Run Shaw had a bright red rotary telephone stored under a cheese dome sitting atop his desk. Whenever a completely loony script landed on his desk, he would calmly pick up the phone and it would automatically dial a pre-programmed number which would be answered by Danny Lee, sitting across the studio, presumably wearing a tight polyester shirt adorned with some distasteful paisley pattern. How else can you explain the man’s appearance in a string of the studio’s first real forays into the world of crazy kungfu? Although the Shaws would produce no small number of truly batty kungfu films, especially during the late 70s and early 80s when the company was on its final leg, their early forays into left field all seemed to have the common denominator of young star Li Hsiu-hsien, soon to become Danny Lee.
When innovative Shaw Bros. studio director Chor Yuen teamed up with martial arts novelist Lung Ku and the Shaw’s top kungfu film star, Ti Lung, they made beautiful music together. In 1977 the trio collaborated to create two of the … Continue reading Legend of the Bat