Although Hammer was best known for horror films, their entry into horror actually came by way of science fiction. Up until the 1950s, Hammer was pretty much your average low-to-medium budget production house, cranking out a lot of comedies, adventure, … Continue reading Moon Zero Two
The first Hammer movie I saw was late one night at my grandparents’ house, back when horror double bills were a Friday night TV staple. Mostly these were old Universal flicks, but occasionally if I was lucky there’d be a couple of Hammer horrors. I found these much more exciting than their earlier American counterparts, in fact I still do; vivid colour, actual gore, and an undercurrent of sex that provoked definite interest in young Dave. Also, better acting (there, I said it) and none of those awful Hollywood cockney coppers, gor bloimey Guv’nor. From then on, I was predisposed to see any Hammer film that came along, but this was pre-DVD (it was even pre-VHS, which makes me feel very old) so opportunities were limited. A few years and one wonderful technical revolution later, I discovered a video tape in Dad’s not-too-secret ‘special’ pile. It was Countess Dracula, not exactly a typical Hammer film, but it introduced me to the vision of loveliness that was Ingrid Pitt. More importantly it introduced me to Ingrid Pitt’s boobs. That was it; I was lost.
And we were doing so well! Most movie studios can’t sustain the quality of a film series beyond two films — and quite a few have problems even getting that far. It was no small feat, then, that Hammer managed … Continue reading Scars of Dracula