The underlying story — about a man discovering the world beyond the safe confines of his palace home, as well as discovering the sordid past of his otherwise heroic acting father — may take a back seat to all the chicken leg kungfu and lasers, but its presence at all makes Battle Wizard a cut above the usual fare.
The martial arts on display in Legend of the Bat are a wild and wonderful mixture of sword fights and kungfu clashes with plenty of supernatural abilities on display. People can punch through walls, jump over buildings, fight off dozens of attackers, and chop off their arm without giving it a second thought.
As far as anything-goes martial arts mayhem may go, the Bastard Swordsman saga may lack the breakneck choreography of Jackie Chan and Ching Siu-tung, or the technical ambition of Tsui Hark, but none of these short-comings really matter in the long run, because Bastard Swordsman and Return of the Bastard Swordsman are still spectacularly fun wuxia fantasies.
Although people come for the weirdness and spectacle, Bastard Swordsman offers plenty of other elements that make it worth staying around. For starters, taking a note from Chu Yuan, Lu’s film is packed with complex, well-developed characters. Norman Chu makes a compelling and empathetic lead. We root for him when he’s the abused underdog, and we cheer for him once he begins to discover his true potential as a fighter.
As an action film, Clans of Intrigue doesn’t disappoint, though it is heavier on discussion than some people might want. Chor Yuen’s work is the missing link between the classic wu xia films of the 1960s like Come Drink With Me and Temple of the Red Lotus, and the wildly over-the-top new wave swordsman films of the 1980s such as the Swordsman trilogy and Zu.
As an example of the director’s mastery of staging fast-paced, action-packed swordplay drama, Magic Blade simply cannot be beat.