So this is the one that started it all, so to speak, so long as you consider “it all” to be the first cycle of films based, sometimes extremely loosely, on the works of Edgar Allen Poe, and directed by low-budget legend Roger Corman. Prior to this film, Corman had made a name for himself slapping together drive-in quickies while Price had become a beloved horror film icon working with William Castle. Film production company AIP had specialized primarily in black-and-white genre pictures, made two at a time with ten-day shooting schedules. Everyone came together for this historic meeting of elements that remains, to this day, one of the best examples of American-made gothic horror films. Corman’s Poe films for American International Pictures became to the United States what Hammer films were in England: low budget, wonderfully acted, gorgeously designed horror films dripping with atmosphere and literary tradition. It was Corman’s first picture in scope, and one of AIP’s first color films to be sold as an individual movie rather than as part of a package. It also had an extended shooting schedule – a whopping fifteen days as opposed to ten.