It’s a blue moon month for me over at The Cultural Gutter, and I get the honor of ushering in All Hallow’s Eve, scary sci-fi style. Something Kinda Funky looks at the time Buck Rogers, Wilma, and Twiki faced off … Continue reading Cultural Gutter: Something Kinda Funky
I have a new Frolic Afield up on The Cultural Gutter: The Gentleman Adventurer takes a look at the BBC series Adam Adamant Lives! A swashbuckling Edwardian gentleman, quick with his cane-sword or a witty retort, is frozen in time … Continue reading Cultural Gutter: The Gentleman Adventurer
My time has come. Another Frolic Afield over at the Cultural Gutter. A Halting Fire takes a look at the first season of Halt and Catch Fire, a show with subject matter — the micro-computing revolution of the early 1980s … Continue reading Cultural Gutter: A Halting Fire
To the very limited extent that the German science fiction series Raumpatrouille Orion (full English title: Space Patrol – The Fantastic Adventures of the Starship Orion) is known in my own United States, it tends to be the victim of a certain unfair association. On those pitifully rare occasions when it’s mentioned, it’s seldom without being compared unfavorably to Star Trek – and sometimes even referred to as “The German Star Trek“, usually in the dismissive tone reserved for inferior foreign copies of iconic American brands. That Raumpatrouille is an imitation of Star Trek is unlikely, given that the series made its debut on German television within just two weeks of Trek’s initial bow in America (and quite a few years before Captain Kirk and company would make it to the German airwaves). And while the series does share some striking similarities with Trek, those ultimately just serve to highlight some even more striking differences.
Gerry and Sylvia Anderson were best known for “supermarionation” shows like Thunderbirds and Captain Scarlet and the Mysterons when they decided they wanted to move into live-action scifi programming. So was born U.F.O., and from that, Space: 1999. As a … Continue reading In the SHADO of the Moon
There was a period, brief but never the less real, when we paid to see television shows in the theater instead of watching them for free on, you know, television. This started back when some crafty producer would take a couple episodes of a TV show and splice them into a single movie — even if the plots of the two episodes had almost nothing to do with one another. And in 1979, producer Glen A. Larson managed to get not one, but two pilot episodes released as feature films. Granted, these were substantially expensive and ambitious (in their way) pilots, but still. He was asking people to pay money to see something they’d see for free at home. He was able to do that because of Star Wars. And we did it. I did it. The first of them was Battlestar Galactica. The second was Buck Rogers in the 25th Century. When I saw them both in the theater I remember liking Battlestar Galactica, but Buck Rogers? Buck Rogers I loved. And years later I still love it. This movie/television pilot is also the reason I discovered Santa Claus doesn’t exist.
If any actor in the world was born to play Ichabod Crane, it would be Jeff Goldblum. So thank God someone thought to cast him in just that role. 1980’s Legend of Sleepy Hollow is, along with Dark Night of the Scarecrow, a made-for-television movie I seem to remember watching just about every single Halloween when I was a wee sprout. In actuality, I probably only watched it a couple times, and even though I begin every description of Dark Night of the Scarecrow off with, “Man, I watched that like a thousand times when I was a kid,” I’m pretty sure I actually only watched that one once. All I remember from it is some guy I could swear was M. Emmet Walsh drowning in a silo full of corn. All I remember from Legend of Sleepy Hollow is a scene where Brom Bones puts on a hood to disguise himself as the Headless Horseman. Heck, I didn’t even remember Jeff Goldblum was Ichabod Crane, and I could have sworn that Brom was played by Stacey Keach.