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Web of Death

It wouldn’t be difficult to interpret The Web of Death — the third in director Chor Yuen’s long cycle of films adapting contemporary popular wuxia novels — as something of a cold war parable. In it, a Martial World clan by the name of The Five Venoms Clan is in possession of a super-weapon so powerful that the clan’s leader has decreed that it should be put under wraps and hidden away for the good of the Martial World as a whole. That weapon, the Five Venom Spider, is revealed to us in the film’s opening minutes, and that’s a good thing; while definitely kind of neat in a cheeseball sort of way, the Five Venom Spider is not the kind of thing that could live up to an extended build-up. What it is, in fact, is a normal-sized tarantula that, when released from its ornate cage, glows green, emits the roar of a raging elephant, and then shoots a deadly, electrified web to the accompaniment of much billowing of smoke and flying of sparks. It’s a weapon that will be deployed to amusing effect throughout Web of Death, but which has the unfortunate side effect of saddling Chor with a conclusion in which a room full of fighters who have been established as the Martial World’s bravest and most accomplished cower away from a spider. But more about that later.

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