When we reviewed 3 Seconds Before the Explosion, we stated that it was one of two Nikkatsu Studio espionage films released onto the home video market in the United States, both starring studio mainstay Akira Kobayashi. We also said that … Continue reading Black Tight Killers
Toei Movieland Studio hadn’t been on our official itinerary, but I convinced people to give it a try even though I was the only big Japanese movie fan in the bunch. Toei had given some of my absolute favorite sci-fi superhero shows, and the chance to see one of their studios was too good for me to pass up. After shelling out a rather hefty ¥2500 per person to get in (note: this was in 2001; it is probably more now), I quickly began to realize it wasn’t going to be as cool as I’d hoped. The entrance was was a museum of samurai and ninja articles, most of them from then upcoming movie Red Shadow. A large screen television played clips of various Toei samurai movies and histories of the studio. None of it was especially interesting, unfortunately.
When one visits Kyoto, Japan, one expects to spend the bulk of the time there visiting a long parade of temples. And that’s exactly what we did, and for the most part, it was time well spent. However, there comes a time in every unwashed heathen’s life when he simply needs a break from serene Buddhas and hordes of schoolkids, and in those times, a man is well served by hopping the train to the small town of Arashiyama in order to hike Mt. Arashiyama and, if all goes well, see one of his friends attacked by an irritable monkey.
These days, it seems like Japan makes about five zombie movies a week, each one more half-assed and dreadful than the last. Once, long ago, when Italy and the United States had lost interest in the zombie film, Japan decided to start cranking a few out. They started out modest but promising, and by the time we got to Wild Zero and Versus, I do believe that I naively exclaimed that the zombie film was well served by Japanese stewardship. Then they made Stacy, and I started to wonder if maybe I had celebrated prematurely. A few years ago, the United Stated rediscovered the zombie film, and zombies themselves became a pop culture phenomenon that ultimately degenerated into hipster zombie parties and zombie olympics and such. Japan wasn’t going to miss out on things, and a whole slew of cheap, new Japanese zombie movies were soon flooding the market. They were and continue to be high on wackiness and low on watchability, pretty much like their microbudget counterparts in America.
Goro Miyazaki, son of famed Japanese animator Hayao Miyazaki, has achieved with his debut film, Tales from Earthsea, the same sense of profundity as his father. Unfortunately, while the elder Miyazaki’s profundity usually came from things like wonder, imagination, inspiration, wit, emotion, and beauty, Miyazaki the younger’s effort is one of profound tedium and disappointment. Some might defend the poor lad, saying that the shadow of his father is long indeed, and Hayao Miyazaki has set a standard for animated film making that his son, and indeed the entire Japanese animation industry, could never live up to. Of course, you could also say that Goro Miyazaki would be working at a Lawson’s Food Mart if not for his last name getting him a job. So, let’s call it even.
This movie was treading into precarious territory before I even saw it. Hidden Fortress is one of my favorite movies and not one I felt was in any need of being updated or remade. Still, I’m nothing if not fair-minded and bored late at night, so I decided to give this remake from 2008 a chance. While I told myself that I was going to judge it fairly, by the measure of it’s own merits rather than through the rosy lenses of my bias, I have to admit that i probably went in with a small chip on my shoulder regardless. Journalistic objectiveness is, after all, a myth. But I’m also not someone who is instantly offended by modern film makers remaking a classic, or what I consider to be a classic. To say The Last Princess is not as good as the original is, I think, fairly obvious. But the original notwithstanding, The Last Princess managed to be entertaining, if unspectacular. The very definition, I think, of adequate film making.
Eight. Nine. Three. In the Japanese card game known as hana-fuda, it’s the worst hand you can get. Eight, nine, and three — ya, ku, and sa. Japanese organized crime families adopted the name “yakuza” because of this hand. Because … Continue reading Velvet Hustler