Japanese animation legend Hayao Miyazaki, early in his career, takes the lewd, brash character of Lupin III and transforms him into a slightly more honorable gentleman thief for this breathtaking adventure. People who are not familiar with the character of … Continue reading Lupin III: Castle of Cagliostro
Let me start off by saying that I love Odin. Absolutely love it. All those people in the world who call it one of the worst animated films of all time? Liars. Every one of them. Dirty, rotten, filthy liars. … Continue reading Odin: Photon Space Sailer Starlight
Created by Japanese artist Monkey Punch (surprisingly, not his real name) in the 1960s, Lupin the Third was a mixture of James Bond, Matt Helm, Cary Grant from To Catch a Thief, and whatever guy you can think of who … Continue reading Lupin III: Mystery of Mamo
Terror Beneath The Sea is a movie with a lot of charm. There are the wondrous conventions of Sixties science fiction: bold colors and sleek design, underwater cities built in miniature, torpedo battles, a safety-striped submarine, and even a Nehru-suited mad man. But Sonny Chiba is the most charming thing in Terror Beneath The Sea. As the romantic lead, Chiba portrays a character with an endearing sweetness he rarely, if ever, gets to present. In a way, Chiba is playing a character other than his usual “Sonny Chiba.”
Karate Robo Zaborgar presented me with the sort of soul-searching conflict that often plagues those of us who worry about the higher philosophical questions in life. On the one hand, it was a presumably loving spoof of one of my … Continue reading Karate-Robo Zaborgar
Yatterman is a colorful, overblown, largely idiotic live-action adaptation of an anime series from 1977. It’s also a painful illustration of every weak point wildly hit-or-miss director Takashi Miike possesses, while at the same time it fails to highlight any of the thing he does well. Miike’s staunch unwillingness to make anything less than 14,000 movies a week means that if nothing else, he became by virtue of quantity alone a force to be reckoned with in the reeling, post-bubble Japanese film industry, when more and more directors retreated into the realm of the low-budget direct-to-video (and later, DVD) market. Miike’s prolific nature meant that he produced a few incredibly bad movies, a whole lot of mediocre ones, and a few that either were or teetered on brilliant.
Attempts to revive and revise the Japanese karate movie started in 2007, with this tale set in the early 1900s of guys kicking each other in the face really hard. Japanese films are mostly terrible these days, and Japanese martial arts films have almost ceased to exist, with there being little more to the genre anymore than CGI movies or no-budget T&A stinkers starring busty AV idols as ninjas. So a bunch of karate guys woke up one day and thought to themselves, “you know, maybe we should be the guys making karate movies.” While their efforts remain small scale enough so that we can’t trumpet them as a revolution or the rebirth of the Japan Action Club, the results are still promising. Not always good, but promising.