Seytan
The special thing about Turkish pulp films is how, even at their most plagiarized, they can serve as an example of just how unique a complete rip-off can be
The special thing about Turkish pulp films is how, even at their most plagiarized, they can serve as an example of just how unique a complete rip-off can be
I think that most people would think that a movie with so much overtly religious content would be evangelical in nature, yet The Killing of Satan simply uses that content as something upon which to hang an impressive array of unapologetically sleazy exploitation elements.
Khopdi is like a ratty old blanket that smells of mildew but is never the less still festering in the attic when it should have been thrown out years ago. But you just can’t do it, can you?
This is a film for people already initiated into the ways of Harinam Singh, rather than a film that is going to convince you to donate your worldly possessions to the man and join his cult (in the cult’s defense, he will use your worldly possessions to finance another rubber mask monster movie).
Languishing in relative obscurity for years, this modest horror film from one of the cheapest of all production houses, PRC, was championed in the 60s and 70s by the Cahiers […]
I had pretty high expectations going into this film — not that it would be good, but that it would hilariously, confoundingly weird. And I was not disappointed. But I discovered that it was also actually pretty good.
There’s almost a competent movie contained within the running time of Bhoot ke Pechhe Bhoot, though Kishan Shah never gets around to actually making it.
My odyssey through the strange world of Russian fantasy films began in earnest many years ago, when I moved to a prominently Russian and Ukrainian neighborhood and started prowling around […]
In the end, we’ll probably never know how this movie ever got made, and I suppose that, even though I would love to have my curiosity regarding the matter satiated, all that really matters is that it was made.
To my mind, when it comes to horror filmmaking with an exploitative edge, the Indonesians back then really knew what they were doing. Their films were both compact and loaded with outlandish visuals…