Green Snake is set in a world between myth and reality. Zhao Wen-zhou stars as a young monk who spends his days hunting down demons and spirits who have crossed over from their own realm into the realm of mortals. Some of them come with malicious intent, but many of them seem only to want to run wild and free in the physical world for a brief time. The monk operates under the notion that the two worlds simply cannot cross paths, harmless intentions or not. The opening scene of the monk chasing an old wiseman who is actually a spider demon through a field as they both run through mid-air sets a beautiful but disturbing tone for the film. It’s incredibly lush and over-saturated with dreamlike color. The hallucinatory beauty seems eerie, however, not at all peaceful, sort of like those old fairy tales where things are actually creepy and sinister.
Interpol 009 has everything you’d want in a 1960s spy movie–except for a memorable villain, a spectacular crime, and audacious action set pieces. On balance that leaves you with attractive stars, lots of nicely photographed scenes shot in glamorous locations, some nice cars, and a lot of fun gadgets. Fortunately, thanks to its amiable tone and sure-handed technical delivery, that’s enough to make Interpol 009, if far from a dazzling entertainment, at least a pleasant way to wile away an hour or so with a cocktail (or two).
The world of Hong Kong horror films is a strange one, indeed. Even within the horror genre, which can be pretty damn weird much of the time, Hong Kong manages to make films that will cause even seasoned horror fans to scratch their head. Hong Kong films often take the cake for the greatest degree of creativity with their tastelessness. This is the industry that gave us such genre classics as Untold Story and the intense graphic, hard to stomach atrocity exhibition Men Behind the Sun. It’s also the industry that gave us horror-fantasy wonders like Chinese Ghost Story, kungfu cannibal films like We Are Going to Eat You, and more hopping vampire films than you can shake a lucky Buddhist charm at. The sheer diversity of Hong Kong horror makes it a somewhat overwhelming, but endlessly exciting world to explore. It’s not horror like we’ve come to know in the West. Though a foppish looking Dracula may swoop down from time to time in old kungfu horror films, Hong Kong tends to rely much more on an indigenous cast of ghouls. Hopping vampires are sort of the banner carriers of the genre, and no creature is more uniquely identified with Chinese horror than these bouncing demons. Comprising the rest of the parade are a curious cast of witches, devils, sexy ghosts, fetus eating freaks, and countless possessed people with eerie green lights shining on them.