Despite the weak ending, Taste the Blood is an exceptional entry into Hammer’s Dracula oeuvre. Even Christopher Lee grudgingly admits that it turned out to be a good film, though to this day he won’t stop going on about how corny the title is.
If you miss the days when horror and science fiction, while not exactly being intelligent, were at least willing to play with lofty ideas and theories and mix them together with charm and drollness, then by all means hop on board the Horror Express and please forgive me for statements like that.
Scream and Scream Again will have you giggling with confused and bewildered glee. It doesn’t matter if you have high, low, or no expectations for this film. It will manage to confound them all.
Lee is less of a presence here than in the last film, and his shadow doesn’t seem to loom as powerfully over everything when he’s not present as it did in Prince of Darkness. But when he does show up, he looks exquisite.
It’s great to see Christopher Lee back in action again as the count, and really, that alone is enough to make this film enjoyable. Lee swore this would be the final time he’d play Dracula for Hammer. He was, naturally, back again as the count very shortly there after.
If Brides of Dracula is the forgotten Dracula film, I can’t imagine it will stay that way for very long. It’s simply too good. Maybe not quite as good as the original, but definitely the equal of the next sequel, Dracula, Prince of Darkness, which saw the return of Christopher Lee to the role of Dracula.
As is the case with both Horror of Dracula and Curse of Frankenstein, one can’t help but compare it to the old Universal film. I’m a big fan of Karloff’s The Mummy, and I’m a big fan of this one.
The look and style of a Hammer film would become as much a trademark as the blood, the buxom beauties bursting out of their bodices, and Christopher Lee and Peter Cushing chasing after one another and wearing those Victorian overcoats.
Hammer rushed out two more horror-scifi amalgamations, then in 1956 went to work on what was to be their first in a series of films that were, depending on who you are, either adaptations of classic works of British gothic horror, or remakes of old Universal Pictures horror films.