In our recent article about the Rabbi Loew/Golem trail in Prague, we mentioned the statue of the Iron Knight (or Iron Man) that stands vigil over Prague’s Old Town from a corner in the city hall building. Because the other corner is occupied by a statue of Rabbi Loew himself, and because the legend of the Iron Knight is relatively obscure outside of Prague, an overwhelming number of publications — including many that should be respectable enough to check their facts, like a 1938 issue of Life — misidentify the statue as Rabbi Loew’s golem (a few also identify it as Darth Vader, but what can be done about that?). Of course, it looks nothing like the golem, but with Rabbi Loew hanging around on the other corner, most people assume any strange monstrosity must be his golem.
Which is perhaps why the Iron Knight still hasn’t been able to lift the curse placed on him over four hundred years ago.
The history of Prague seems tailor-made to appeal to a vast number of my personal obsessions, among them my fascination with the history of magic and alchemy and the story of Rabbi Loew and the golem. Modern Prague has not failed to capitalize on this history of mystery and magic, as places like the Museum of Alchemists and Magicians prove. Fans of weird and mystical history owe a debt of gratitude to Emperor Rudolf II, the 16th century Holy Roman emperor who, because of his own obsession with the occult, turned his home base of Prague into the capital of European mysticism and alchemical pursuits. Rudolf II’s endless quest for the Philosopher’s Stone, as well as his craving for a potion of immortality, brought such notable alchemists as Edward Kelley and John Dee to the city, not to mention Jewish mystic Rabbi Judah Loew ben Bezalel.
A new Frolic Afield! I’m back on Cultural Gutter writing about the rarity of Jewish horror films. Hebrew Horrors looks at two horror films that are set within the realm of Jewish folklore: 1920’s well-regarded and somewhat controversial Der Golem, and the little-known Yiddish-language horror film The Dybbuk.