The story to this point: the good doctor of questionable moral standards, one Baron Victor von Frankenstein (Peter Cushing) escaped the guillotine he was facing at the end of the first film, Curse of Frankenstein, only to find himself beaten … Continue reading Evil of Frankenstein
As the only contributor to Teleport City who resides in the fine country of Great Britain (and it is fine, despite most of it seeming to be on fire as I write this), I like to be able to bring you the occasional bit of Brit weirdness. Of course the brilliant minds at T.C. are already familiar with much of the classic and cult cinema exported by the likes of Hammer, Amicus and others, but today I’m going with something a trifle more obscure. Today’s review subject is one of the few releases by an ill-fated outfit named Tyburn Film Productions.
When a creature is so vile, so evil, so much an affront to the nature of the world and of God himself as is the vampire Count Dracula, there is no easy way to destroy him and keep him down. So it is that in every episode of man’s struggle against this infernal prince of darkness, we mortals seem to succeed in wholly destroying this spawn of Satan only to see him find some way to cheat death yet again, as he has for so many centuries now, so that he may once again rise up and cast his long shadow of terror and bloodshed across the countryside. It seems this notorious bloodsucker has any number of ways he can reverse the effects of his apparent destruction, but the most powerful one by far is making certain that his movie provides bushel baskets full of money for the producers.