It’s nothing all that unusual these days to run across people who celebrate the music in Bollywood films. And I don’t mean just the people of India. In the past decade, there has been a small but steady flow of Bollywood film music compilations packed with fantastic funk, go-go, disco, and even the occasional traditional number. Even people who don’t follow Bollywood can probably drop RD Burman’s name, though they’ll likely call him “that guy from Slumdog Millionaire.” But there is another world, one populated not by Asha Bhosle or any sense of respectability. The Bollywood b-grade horror film is where we like to play, and it’s about time someone celebrated the music from those fantastically terrible movies full of rubber fright masks.
The older Pakistani films that I’ve watched have struck me as being at once both primitive and forward-looking. (And I must add that the Pakistani films I’ve watched might not be representative of the country’s cinematic output as a whole.) Though technically crude, these films use the type of stuttering editing rhythms and fragmented visuals that wouldn’t come into vogue in the West for years –- and then only to be criticized for displaying the influence of MTV. As the first volume of The Sound of Wonder demonstrates, Pakistani film music from that same period likewise had one foot in the future — often with the other foot inhabiting territory no less strange to the unaccustomed ear.
Dracula’s Music Cabinet was part of a wave of horror-themed novelty albums released in Germany during the late 60s and early 70s, all of which were seemingly inspired by the very type of horror films that Europe was producing at the time, as best exemplified by the work of our own beloved Jess Franco. The liner notes to UK Label Finders Keepers’ recent CD reissue of the album refer to it as a soundtrack to a nonexistent film, which is pretty much right on the money. Like the soundtracks to many Euro-horror films from the 60s, much of the music on Music Cabinet consists of vaguely psychedelic lounge jazz that in itself doesn’t suggest any traditional kind of horror ambiance at all.