Back in 1996, it seemed so unlikely that of all the action heroes in Hong Kong, Donnie Yen would be the one called on to foil Satan’s foul schemes. But now it makes a strange kind of sense that Donnie Yen would, well, not so much punch the Devil in his face as knee the Devil’s Envoy repeatedly in the ribs and once in the jaw, because here we are and Donnie Yen is the state-sponsored inheritor of Bruce Lee’s sifu and nunchaku. Who else is left?
I have nobody to blame but myself. I mean, by now I should know that Hong Kong movies are not what they once were (i.e. good). And I should certainly know not to expect anything much from pop duo The Twins, a.k.a. Charlene Choi and Gillian Chung – I did, after all, suffer through their crummy vampire action mess The Twins Effect. So why in the Gay Blue Hell would I be interested in Protégé De La Rose Noire, their latest box office smash? Well, because one of my Hong Kong heroes, Donnie Yen, was the man behind the camera, and Donnie kicks ass. He was the action choreographer on The Twins Effect, and deserves the credit for making the mostly non-fighter cast look halfway competent. So maybe, just maybe, he could pull something out of the fire. Also of interest is that the movie features Donnie’s little sister Chris Yen, returning to the big screen for the first time since her debut in the little-known 1986 Yuen Woo-ping film Close Encounter With A Vampire. Still, I didn’t dare get my hopes too high, which is just as well because the movie still couldn’t live up to them.