Time to Frolic Afield once again for my monthly article on The Cultural Gutter! As a fan of cyberpunk from the 1980s, I often wonder if there’s any decent example of the genre that makes sense in what is basically our post-cyberpunk reality. Cyberpunk for a Cyberpunk World looks at why cyberpunk didn’t survive, why it should have, and how David Louis Edelman’s Jump 225 trilogy is the best example of post-millennial cyberpunk literature
My latest Frolic Afield over at The Cultural Gutter, and my last there for 2013. What better way to close out my first (half) year with The Cultural Gutter than with one of the worst things around. From Bea Arthur torch songs to wookie porn, Death to Life Day spoils the holidays by reminding you of the Star Wars Holiday Special.
As is my way, I have returned to The Cultural Gutter for my monthly Frolic Afield science fiction article. In honor of the 50th anniversary of Doctor Who, The Dandy Doctor celebrates the sartorial choices of the Doctor’s many incarnations, concentrating on the dandiest and coincidentally my favorite version: Jon Pertwee’s Third Doctor. Fluff your ruffled shirt, don your velvet smoking jacket, and join me in the TARDIS’ walk-in closet.
A new Frolic Afield! I’m back on Cultural Gutter writing about the rarity of Jewish horror films. Hebrew Horrors looks at two horror films that are set within the realm of Jewish folklore: 1920’s well-regarded and somewhat controversial Der Golem, and the little-known Yiddish-language horror film The Dybbuk.
My latest article for The Cultural Gutter is now up. In keeping with the season, it’s science fiction with the heart of a horror film. Gothic Galactic takes a look at Mario Bava’s brief forays into the cosmos, specifically the influential Planet of the Vampires, with special guest appearances by Caltiki and Hercules int he Haunted World.
My new article for September is up on The Cultural Gutter. The Sci-Fi Life is my “getting to know you” piece, discussing why I think “gutter culture” matters and how it came to be such an important part of my life.
A bit of a unique Frolic Afield this round, as I post an update about something I wrote for a different site and mention that I will now also be writing regularly for that same site. Many of you already know The Cultural Gutter (if you don’t, you should). I have written for them as a guest once before, and Gutter editor Carol is also a contributor to Teleport City. I am humbled and overjoyed (and nervous) that I have become their new Science Fiction editor. I am taking up the mantle in the wake of the departure of the last Sci-fi editor, James Schellenberg, and he has set a mighty high bar in terms of thoughtfulness, quality, and a diversity of topics. I intend to turn my corner into a freaky space cocktail lounge.
My first official article is up now: At Play On the Planet of Men, about science fiction author Lois McMaster Bujold, her novel Ethan of Athos, and the way science fiction deals (poorly, often) with female, LGBT, and minority characters, creators, and fans. Give it a read, and I’ll see you over at the Gutter.
The Cultural Gutter invited me and my monsters over for a cup of tea and a conversation about The Monster in Me, during which I wax philosophic about the history of horror film ghouls and the lack of “human” monsters in modern chillers.