In 1935, Fantasy magazine contracted five of the most popular pulp magazine authors to write a round-robin style story, with each contributing a page or two before passing it on to the next author. On The Cultural Gutter, The Challenge of the Challenge from Beyond looks at how these five accomplished professionals created something about as good as a fourth grade class undertaking the same assignment. And while C.L. Moore, A. Merritt, and Frank Belknap Long are along for the ride, the main show here is the hilarious philosophical clash that comes when H.P. Lovecraft’s section is continued by his friend, Conan the Barbarian creator Robert E. Howard.
Over on the Cultural Gutter, I’m celebrating the 40th anniversary of The Rocky Horror Picture Show. The world doesn’t need another review of the movie, so Whatever Happened to Saturday Night? is instead a mini-memoir about my first time seeing the movie, at Louisville’s Vogue Theater in 1987, what it meant to me, and how radically the movie — and that old theater — changed my outlook on life for the better .
This month on The Cultural Gutter, I’m tackling Ann Leckie’s Hugo Award winning space opera Ancillary Justice. That’s What She Said examines the awesome sleight-of-hand Leckie pulls by writing a pretty straight-forward, old-fashioned space opera with one tweak: deciding to use “she” as the default pronoun for all characters instead of “he.” The result is a story that confuses, then defuses, gender without being aggressive about it, proving along the way that good space adventures are good space adventures…even when you think some of the characters are women!
Over on The Cultural Gutter, I’m celebrating Eiji Tsuburaya, Ishiro Honda, and aliens who want to steal our women! Beneath the Mysterian Dome is a look at The Mysterians and Battle in Outer Space, two of the biggest special effects blow-outs the the Honda-Tsuburaya team created. Prepare yourself for tiny space battle son an epic scale an the wholesale decimation of Earth’s most famous landmarks.
Last month on The Cultural Gutter, I wrote about Nalo Hopikinson’s Brown Girl in the Ring the importance of diverse voices and experiences in science fiction. Following that thread, this month I’m looking at one of the grand ladies of science fiction, Octavia Butler, and the first book in her “Xenogenesis” series, Dawn. Understanding the Aliens explores Butler’s ability to tap into a truly visceral body horror and create a believably frightening, awkward “first contact” situation between humans and aliens. Special guest appearances by The Mote in God’s Eye and Mary Doria Russell’s The Sparrow.
Over on The Cultural Gutter, I’m writing about Nalo Hopkinson’s dystopian science fiction novel Brown Girl in the Ring. A Relative Dystopia is a look at how our culture, upbringing, and personal experiences can shape what we define as a dystopian future, and how people of a different race can look at the exact same thing at the exact same time and take away very different impressions.
April at The Cultural Gutter is the month we take a break from our usual beat (mine is science fiction) and write about something else. So I wrote about The Search for Weng Weng and how passion for film (or any creative art) can lead to real-life fun and adventure.
“In the early spring of 2002, a trip out west to meet some friends resulted in a weekend that involved everything from drinking in Juarez to being hired to do design work for a network of Texas dominatrixes to hanging out with ukulele-playing cowpunk ladies from Tokyo and, finally, ended with a bizarre and hazily remembered quest to find the locations used in Manos: The Hands of Fate with the only guideposts being that they were ‘somewhere around El Paso’…”
I have a new one up on The Cultural Gutter! Yesterday’s Tomorrow: A Visit to Tativille is a look at one of my all-time favorite films, 1958’s futurist farce Mon Oncle by Jacques Tati. Tati’s third film, and the second to feature the iconic character of M. Hulot, Mon Oncle is a film built largely on the shoulders of the persistent delusion that technology, automation, and progress makes our lives better, more efficient, and more logical and that anything marketed in the name of technological progress is desirable.
Over on the Cultural Gutter, I’m writing about the musical science fiction spectacle Just Imagine. Vaudeville on Mars is a look at the similarities between the lavish 1930 Fox Studios production and the 1928 Soviet film Aelita, Queen of Mars; as well as a celebration of the outrageous costume and set design. All of which is really just a way of making myself feel better as I try to come to grips with the fact that human society at one time thought a movie this extravagant should be headlined by vaudeville funny man El Brendel.
Over on The Cultural Gutter, I’m following up last month’s article about the Han Solo Adventures with …In a Galaxy Far, Far Away, a look at 1983’s Lando Calrissian Adventures, a trilogy of pulpy space adventures written by a mad libertarian futurist and full of Lando thinking about fine tailoring, fine women, fine cigars, fine gambling, and in his spare time, rescuing multiple advanced alien races from obliteration while foiling the best laid plans of an evil space sorcerer.