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Protege de la Rose Noire

I have nobody to blame but myself. I mean, by now I should know that Hong Kong movies are not what they once were (i.e. good). And I should certainly know not to expect anything much from pop duo The Twins, a.k.a. Charlene Choi and Gillian Chung – I did, after all, suffer through their crummy vampire action mess The Twins Effect. So why in the Gay Blue Hell would I be interested in Protégé De La Rose Noire, their latest box office smash? Well, because one of my Hong Kong heroes, Donnie Yen, was the man behind the camera, and Donnie kicks ass. He was the action choreographer on The Twins Effect, and deserves the credit for making the mostly non-fighter cast look halfway competent. So maybe, just maybe, he could pull something out of the fire. Also of interest is that the movie features Donnie’s little sister Chris Yen, returning to the big screen for the first time since her debut in the little-known 1986 Yuen Woo-ping film Close Encounter With A Vampire. Still, I didn’t dare get my hopes too high, which is just as well because the movie still couldn’t live up to them.

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New Police Story

For my money, this is where the wheels started to come off the Jackie Chan cart. Sure, we had already written off his American career after The Tuxedo (though I personally love Shanghai Knights and think Forbidden Kingdom is bland and stupid but largely inoffensive), but this is where the Hong Kong movies that were our refuge started to show signs of rot as well. I was with him through the 1990s, even when he was working with Stanley Tong, a director who has an impressive ability to make even the most talented action star seem dull and uninspiring. I was even with Jackie through the first part of the new millennium, and while some people didn’t care for output like Who Am I and Accidental Spy, I really enjoyed them.

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