I’ve been sitting here trying to think of an adequate way to describe exactly what it is that Sonny Chiba does and wears in this second film in Kinji Fukasaku’s highly enjoyable, highly influential Battles without Honor and Humanity series of films that delve into the world of organized crime and the role it played in rebuilding post-war Japan. The closest I can come up with to summarize the acting display by Chiba is to say that you should try to imagine William Shatner and Jimmy Walker being merged into one creature, which the director then instructs to “stop being so subtle.”
If I say “post apocalypse film,” then chances are, one of two things will pop into your mind. If you are my age or younger, or slightly older for that matter but not by much, then it’s entirely likely you’ll immediately picture Road Warrior and its many imitators often of an Italian origin. Pink mohawked men running wild in the desert atop supped up dune buggies while a stoic hero in leather mumbles and saves some band of peaceful folk trying to re-establish civilization. If you’re older, or more in tune with the length and breadth of exploitation film, then you might also drum up less-than-fond memories of those old 1950s atomic paranoia films, or the more interesting sci-fi films set after such a war had devastated the world and left it populated by nothing but nubile, sexy young women and virile, two-fisted scientists from the 20th century.