If Earth is to be saved, the smirking man from the awesome past is going to need to teach these future Earth people to not be such a bunch of chumps
It’s difficult to freshen up a hoary old concept without losing the essence of what made that concept eventually become hoary. Reinterpretations of classical monsters often go so far afield […]
This is one of those fragmented movie memories where the only thing I could remember was ‘Amanda Pays turns into a fish’ — and even that I convinced myself happened in Leviathan.
I don’t blame you, Shiloh Fernandez. Someone told you to gel up your hair and act as much like the Twilight guy as possible, and you did what they asked.
Man, as if krimi weren’t convoluted enough, Creature with the Blue Hand goes and throws identical twin Kinskis — Twinskis, if you will — into the mix.
While the novelty value alone is enough to make the fight scenes memorable, it should be noted that Weng Weng trained in martial arts from an early age and received extensive stunt training
My guess is that if you don’t know who Weng Weng is by now, you’re probably not the kind of person who’s going to care who Weng Weng is anyway. And if that’s the case, you obviously came upon this site by mistake.
At the top of my list of experiences I don’t need recreated for me by a movie would be the frustrating tedium of phone-based customer support.
If that represents the purest distillation of a ten-year-old boy’s mind, then the movie Sorceress represents a sort of cask strength version of that particular spirit. Because Sorceress asks the question, ‘Sure, what if you had all that, but also the heroes are hot, naked twins?’
With When Women Lost Their Tails, what we get is like the lyrics of a Gang of Four song acted out within the context of a slightly naughty fanfic version of The Flintstones. If nothing else, it certainly makes for unique viewing, and offers enough in terms of audacity alone to keep one watching until the end.