If you can roll with the goofiness of a demon anti-hero who seems to be taking acting queues from Jimmy Walker, this movie is fun enough, stupid enough, and warped enough to be a pretty entertaining, dumb time.
I was set to into part five all ready to think the movie was total garbage. It seems to be a pretty polarizing film, and in my opinion, a fairly well misunderstood and misinterpreted film. I was taken by surprise when I ended up really liking this offbeat entry, both for what it accomplishes and for what it admirably tries to accomplish but fails.
The shame here — or at least one of the many shames — is that, with films like Nagin and the original Jaani Dushman, Raj Kumar Kohli demonstrated a genuinely quirky sensibility, while at the same time proving that he could draw in a popular audience. Jaani Dushman: Ek Anokhi Kahani, on the other hand, demonstrates the culmination of a gradual grinding down of that sensibility.
If you can get over how great the film could have been, you can still enjoy how good it is. Not without noticeably flaws, many of which are large enough to make not liking the film perfectly understandable, R-Point still manages to be creepy as hell in many places and an interesting film to think about. It also seems to know when it’s doing something right, and when it’s doing something wrong.
Aoki and Valance seem to possess almost no athletic ability whatsoever, and so to pass them off as fighters, Yuen relies on gravity-defying wirework and jumpy editing, as well as a dollop of CGI. He does the most he can with what little he has, but no one is going to be mistaking these gals for legitimate fighters. Even Hsu Chi was more believable.
Big battles, small conflicts. Terrifying wars, charming flirtation. It’s all told with a sweeping sense of romance and adventure. And at the center of events that changed the world, there is a simple tale of doomed love. Like all epics, Asoka has it’s flaws, but I would still place it without hesitation among the very best epics ever made, and among the very best Bollywood films I’ve ever seen.
I alluded earlier to this being he Bollywood equivalent of an Andy Sidaris movie without actual nudity, but that’s not being fair to Andy Sidaris. Boom wishes it could be as bad as an Andy Sidaris film, but it’s so much worse.
Above and beyond all else, kungfu films have always existed so that they can teach to us valuable life lessons. At their best, they are practically training manuals for how […]
It’s equal parts psychological horror, Hong Kong action film, fantasy effects film, and musical comedy — even Indian audiences accustomed to seeing every genre imaginable crammed into a single film didn’t really know what to make of Abhay’s gloriously madcap combination of ingredients
What better place for poorly realized grandiosity wrapped in pompous claptrap and aspirations of greatness than a big, expensive sci-fi CGI film based on a supposedly important comic book by a French guy?