God help me, I love Santo y Blue Demon contra los Monstruos. I love it like you love a three-legged dog. Sure, my love may be tempered by pity and mild derision, but I love it, nonetheless. And hopefully you do, too. Because, if not, we’re going to have a problem. Santo y Blue Demon contra los Monstruos marked the 23rd screen appearance by its star, a man who entered the world as one Rodolfo Guzman Huerto, but who achieved legendary status in the world of lucha libre as El Santo, the Man in the Silver Mask. Santo was in his early fifties at this point, but, despite his prime wrestling years being behind him, his iconic status in Mexican popular culture was undiminished. In fact, he was still fairly early in his screen career at this point, with another couple dozen films ahead of him.
I cannot count “point of view” films among the styles of film making for which I possess much tolerance. Aside from rarely being the least bit convincing as “found footage,” relying as they do on the conceit that assorted people … Continue reading Troll Hunter
The slower Jackie Chan gets in his old age, the more he has to figure out what the hell it means for him to still be making movies. He’s given everything for his art, everything to his fans. He’s broken … Continue reading Accidental Spy
As we mentioned in the article about the secret train platform beneath Grand Central Terminal, the venerable New York City landmark turned one hundred this month. The anniversary is being marked by a number of events, sales, displays, and tours that unfortunately were already sold out by the time I learned about them. Still, not one to be deterred, a crew of us dropped in for the birthday celebration and sought out our own Grand Central sights and curiosities. I’ve poked through the station numerous times yet still managed to find some things I’d never seen before.
Happy 100, Grand Central. The clock above the information booth has an opal face and is worth somewhere around $10-15 million, though rumor has it that the one on display is a replica. There is also a tiny cylindrical tube inside the booth. It contains a stairwell that leads to an employees’ only area below the floor of the plaza.
In the course of doing my usual rigorous research in preparation for bringing you the most carefully considered review of Iron Claw the Pirate possible, I came upon some information that seemed to suggest that it was the second film in a series of Iron Claw movies. That made sense to me, because Iron Claw the Pirate is a film that seems to start in progress, without any introduction of the characters or ongoing conflicts. However, what makes sense does not always prove to be so –especially in the case of Turkish action cinema–and I later determined that I had misinterpreted that information. In fact, it was Iron Claw the Pirate that was the first film, followed immediately by its sequel, Demir Pence Casuslar Savasi. Still, the reality of the situation makes its own kind of sense, simply because that’s just the way that these movies are. Any amount of exposition or character development would most likely have been seen by the makers of Iron Claw the Pirate as a waste of valuable time that could otherwise have been devoted to fist fights, shootouts, and fleshy women doing exotic dances.
OK, now this is more like it. After muddling through a series of unsatisfying short stories — some of which were frustrating because they contained the unrealized kernel of a great story, others because they had next to nothing to … Continue reading Thunderball
Thanks to the release over the past decade of a large portion of the Shaw Brothers catalog on DVD, it should no longer be a secret to anyone who cares that the venerable Hong Kong studio was responsible for far … Continue reading Temptress of a Thousand Faces