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Czech Craft Beer & the Prague Beer Museum

Everyone knows the Czech Republic is the beer capital of the world, but as I discovered for my latest Frolic Afield to Alcohol Professor, the way bars and restaurants contract with breweries means you often can only get one type of beer at a location, and then only one of the macro-brews. But the Prague Beer Museum is a pub dedicated to Czech craft brewing, with thirty Czech beers on tap. Obviously research was called for.

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Sinister Dinner: The Heath at The McKittrick Hotel

A light dusting of snow danced in swirling eddies across the sidewalk as we waited for the rumbling old elevator to arrive and admit us into its dark, wood-paneled interior. The operator nodded wordlessly to us, slid the door closed, and threw the lever that sent us upward in that creaking, moaning, shaking box. After what seemed an impossibly long and precarious ascent, the lift finally stopped and, just as wordlessly as he’d greeted us, the elevator operator bid us adieu and left us standing in a foyer lit by the yellow glow of incandescent bulbs. A row of wooden telephone booths lined one wall, and the sound of a little big band working their way through a Kay Kyser tune drifted to us on wisps of blue smoke coming from somewhere down a dark hallway.

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Karel Zeman Galleries

Recently, we posted a look at the films of Czech animator and filmmaker Karel Zeman. Since basically every frame of each of his films is an amazing screencap, we went a little overboard. However, in an effort to keep the article itself from reaching epic lengths and load times, it included only a limited number of pictures. Since the films deserve indulgence, here are all the screenshots we made.

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The Fabulous World of Karel Zeman

I was strolling across Prague’s Karluv Most, as is the way of a jetsetting international gentleman such as myself, admiring the irreverent and disrespectful birds who insist on perching atop the heads of historical and religious figures of considerable import, when out of the corner of my eye I spied something somewhat more appealing to my temperaments than a procession of earnest and tortured looking popes, saints, and saviors. Nestled into a cozy looking cobblestone cul de sac at the western end of the bridge was a wooly mammoth. “My word!” I exclaimed at this unexpected but not unwelcome sight, “this looks just the sort of thing in needs of a more detailed degree of exploration.” On a stone arch above the gate that opened into the mammoth’s courtyard was a sign: Film Special Effects Museum. And below it the sub-head: Muzeum Karla Zemana.

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The 39 Steps

Alfred Hitchcock’s original 1935 version of The 39 Steps is one of those films that’s so seminal that when watched today it can seem like little more than a parade of hoary old clichés; that is, until you consider that The 39 Steps is where many of those clichés originated. The film lays a foundation that countless espionage thrillers have built upon and continue to build upon to the present day. It’s all here: The innocent everyman abroad who’s drawn into a web of intrigue by an encounter with a mysterious and exotic woman; the shadowy international criminal organization whose reach is so extensive that it’s impossible to know who can be trusted; the ardently sought-after “MacGuffin” that sets the plot in motion despite ultimately being inconsequential to the outcome; the criminal mastermind with an identifying disfigurement who hides behind a genteel facade of upper-class respectability; the urbane, witty hero who has a way with the ladies, etc. And while it’s hero takes the train rather than hopping the globe on a luxury airliner, The 39 Steps is worth considering as a necessary precursor to the jet setting spy capers that would follow in its wake some thirty years later.

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Prague Museum of Communism

Nestled with irony between a McDonald’s and a casino is Prague’s Museum of Communism (only the KGB Museum has a more deliciously ironic location, next door to the heavily guarded U.S. embassy). It walks the thin line between being another tacky tourist trap museum (which I love) and an actual educational experience (which I also enjoy), with the over-arching message of, “Communism — that sure did suck.”

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The Conqueror

Genghis Khan is certainly one of the great figures in the history of the world. When you say “Mongolia,” he’s the first person of whom you’re likely to think. He conquered China, swept westward, and eventually had a chain of shopping mall formal wear rental stores named after him. Were it not for Genghis Khan’s contributions to society, I would have been at a loss as to wear to rent my tux for the prom back in 1990. But aside from all that, he was one of the world’s great conquerors, and whether he was a hero or a villain depends largely on whether or not he conquered in your name or just plain conquered you. Certainly as with all history’s epic conquerors — Ramses, Alexander the Great, Julius Caesar, Vlad Tepes, and Bono from U2 — Genghis Khan is a person who lends himself to having a sweeping, vast, and complex movie made about his life and influence. And like most of the conquerors throughout history, he’s still waiting for that movie to be made.

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The Fleming Files

It’s become popular in recent years for authors to write stories with the high concept of, “What if James Bond creator Ian Fleming had real-life James Bond adventures?” There have been several books published by several different authors using this as a premise, and two made-for-television movies (the most recent one airing on Sky in the UK and BBCA in the United States in February 2014). Certainly Fleming’s biography lends itself to such supposition. He was, after all, a notorious womanizer and drinker, a gadabout of the first degree from a well-heeled family that circulated in the rarefied airs of British society. And it’s true that he was a member of British Naval Intelligence during the Second World War and rightly earned a reputation for cunning and original planning (but no cunning plans as cunning as a fox that’s just been made professor of cunning at Oxford University).

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Green Snake

Green Snake is set in a world between myth and reality. Zhao Wen-zhou stars as a young monk who spends his days hunting down demons and spirits who have crossed over from their own realm into the realm of mortals. Some of them come with malicious intent, but many of them seem only to want to run wild and free in the physical world for a brief time. The monk operates under the notion that the two worlds simply cannot cross paths, harmless intentions or not. The opening scene of the monk chasing an old wiseman who is actually a spider demon through a field as they both run through mid-air sets a beautiful but disturbing tone for the film. It’s incredibly lush and over-saturated with dreamlike color. The hallucinatory beauty seems eerie, however, not at all peaceful, sort of like those old fairy tales where things are actually creepy and sinister.

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Festivities, Revels, & Nocturnal Dalliances

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