My introduction to New York’s underground film scene came in the form of the “cinema of transgression,” as movement figurehead (eh, more or less) Nick Zedd dubbed it. Specifically, it came in the form of Richard Kern, whose crude, short films and videos were widely circulated on VHS in the late 1980s and early 1990s. It was the work of Kern and Zedd that almost entirely formed my opinion of the movement, because that was basically all you could get. Film Threat magazine had taken an interest in Kern and released a number of his films on VHS. And so when it came to New York’s underground cinema, I knew what he and Zedd had done, which was sloppy, nihilistic, destructive, ridiculous, angry, and absurd. It wasn’t until I moved to New York some years later that I discovered the depth of my ignorance, that Kern, Zedd, and the Cinema of Transgression were the second wave of the New York film underground, that they had grown from a whole group of films and filmmakers who have preceded them in the late 1970s.
Back over at The Cultural Gutter for a Frolic Afield. Where is All You Angels? stared out as a jokey celebration of my favorite music video, Duran Duran’s “Wild Boys.” Things quickly spun out of control into an exploration of William S. Burroughs, LGBT rights, the mundanity of queer cinema, dayglo jockstraps, north Florida summers, and what a counter-culture loses when it wins its biggest battle. Also, we try to decipher just what the hell anyone was thinking when they made Arena.
My latest Frolic Afield over at Alcohol Professor is To Catch Aperitif, a dizzy account of my efforts at the recent Manhattan Cocktail Classic Industry Invitational to expand my usual area of study beyond the world of whiskey. For me, this meant delving into the bitter, herbal, fruity, and floral world of Italian and Alpine liqueurs, aperitifs, digestifs, and fortified wines in the line-up of importer Haus Alpenz.
When it comes to music, I have little nostalgia for vinyl. I much more prefer the internet equivalent of crate digging to the old school variety, where, along with the limits of physical space you had unlimited opportunities to inhale large quantities of dust. It has to be admitted, however, that those physical limits did provide an obsessive like myself with something of a shield against the wages of his own worst impulses. On the internet, you see, the rabbit holes are bottomless. Nevertheless, my endless plummeting down said holes still on occasion proves worthwhile, leading to a discovery that forces me to gawp in renewed awe at the digital world’s capacity to be an infinite Alexandria of obscurities.
It’s time for a Kentucky Derby Frolic Afield. I’m back on Alcohol Professor, and in An Urban Bourbon Trail Through History I’m taking y’all on a tour of Louisville’s three most historic hotels: The Brown, The Galt House, and The Seelbach. Or, more accurately, I’m taking you on a tour of their bars. Special guest stars Abraham Lincoln, F. Scott Fitzgerald, and the hot brown.
Frolicking Afield over at the Gentlemen’s Blog to Midnite Cinema again, the official companion to the Gentlemen’s Guide to Midnite Cinema podcast. And this time I’m talking Antonio Margheriti, James Bond rip-off Eurospy films, and Lightning Bolt, a thriller in which the hero tries to avoid conflict by offering to pay his nemesis off, then asks if it’s OK if he pays by personal check.
The approach to the airport was through a maze of vertical green walls, mountains covered in foliage of the most brilliant green. The runway was short and ended at a river where people were busily tending to their laundry, as unconcerned over the approaching plane as was the air traffic controller, who was reclining on a bench outside the ramshackle terminal building. Dominica is not the Caribbean island you want to come to if you crave white sand beaches, clear turquoise waters, sprawling resort enclaves, or opulent amenities.
Our luck with volcanos had been disappointing. Mt. St. Helens, Mt. Hood, Mt. Rainier — they had all veiled themselves coyly behind a impenetrable curtain of mist and rain and gale force winds that rendered seeing them, let alone hiking them, a fool’s errand. Yet again and again we tried. AT Crater Lake we expected finally to be rewarded for our perseverance. It was sunny and 70 degrees when we began the winding ascent up to the lake itself. It was 25, snowy, and covered in fog when we reached the top. Turned away by closed roads and regretful park rangers, we descended the mountain, and found once again at the base it was a gorgeous day, the sky dappled with dramatic clouds and slants of warming orange sunlight.
Tony Stark’s most famous suit is red and yellow and made of metal. Outside of that, the Stark of the Marvel Iron Man and Avengers movies dresses like a lot of modern tech billionaires: jeans and t-shirts. He has an affinity it seems also for wearing Under Armor as regular clothing, but we’ll not breach that subject for the moment. While Tony may have the tech industry billionaire’s casual disdain of the for dressing up, his hard-working foil in Iron Man 3, Guy Pearce’s Aldrich Killian, is not afforded the luxury of slovenliness.
We set out without any clear destination. Somewhere south of needing our passports, all precipitated by the simple desire to eat a hot dog. Roads were followed, state borders passed. From city to mountains to rolling hills, in observation of the living and the dead. Images from a drive through Connecticut, Rhode Island, Boston, the Sam Adams Brewery, Finger Lakes Distilling, and upstate New York, taking in everything from the grave of HP Lovecraft to Fort Ticonderoga to the House of Frankenstein Wax Museum, and plenty in between.