I gather that Disco Dancer has a bit of a legendary reputation amongst people who seek out bad films, especially bad films from Bollywood, and while there’s nothing in the movie that isn’t completely ludicrous, I have to say that there was not a drop of irony in my embrace of this film. It’s just so insanely, beautifully gaudy and completely nuts.
I don’t figure anyone goes into Yor expecting stunning revelations. You go in because you want to watch cavemen do somersaults and have laser battles with robots.
When Lucio Fulci came back from the hospital and saw what happened to the film, he screamed, tried to make them take his name off it, and then died a few years later. I don’t know if that last one is actually related to this film, but I’m sure it didn’t help.
As an action film, Clans of Intrigue doesn’t disappoint, though it is heavier on discussion than some people might want. Chor Yuen’s work is the missing link between the classic wu xia films of the 1960s like Come Drink With Me and Temple of the Red Lotus, and the wildly over-the-top new wave swordsman films of the 1980s such as the Swordsman trilogy and Zu.
If I say post apocalypse film, then chances are, one of two things will pop into your mind. What you won’t think of, I’m willing to bet, is a gritty Japanese yakuza film set in the years immediately after the end of World War II, but that’s exactly what Battles Without Honor and Humanity can be construed as.
There’s a reason this emerged as the goriest of all Dracula films, and one of the goriest Hammer films, period: they had to cover up the threadbare production with something.
Despite the weak ending, Taste the Blood is an exceptional entry into Hammer’s Dracula oeuvre. Even Christopher Lee grudgingly admits that it turned out to be a good film, though to this day he won’t stop going on about how corny the title is.
Having just completed a heist, Diabolik, returns to his sprawling, space-age underground lair full of cool mod furnishings, where he and his staggeringly beautiful girlfriend proceed to make love on a gigantic rotating bed covered in piles upon piles of the money he’s just stolen.
If you miss the days when horror and science fiction, while not exactly being intelligent, were at least willing to play with lofty ideas and theories and mix them together with charm and drollness, then by all means hop on board the Horror Express and please forgive me for statements like that.
Scream and Scream Again will have you giggling with confused and bewildered glee. It doesn’t matter if you have high, low, or no expectations for this film. It will manage to confound them all.