Austrian writer and director Rudolf Zehetgruber had two shots at the Kommissar X franchise, and Death is Nimble, Death is Quick, the second entry in the seven film Eurospy series, was the first of them. It’s a commendable, if not … Continue reading Death is Nimble, Death is Quick
For me, one of the hazards of watching one of the Kommissar X movies is that it means I’ll have that “I Love You, Jo Walker” song stuck in my head for the next two weeks and will be at … Continue reading Death Trip
If you ever visit Ye Olde London Town, try and fit the Jack the Ripper walk into your itinerary. Ideally you should do it in spring or autumn, so that when you start out it’s daylight. But as you wander deeper into the backstreets of Whitechapel it gets increasingly dark (and if you’re lucky, a tad foggy). That way, as you find yourself in the one spot on the tour they can say with certainty that the Ripper stood, it’s fully night. It’s a chilling moment, something notably absent from 1959’s Jack the Ripper. Which isn’t to say it’s a bad film, just a rather silly one.
In the opening moments of Kill, Panther, Kill! we see the daring escape, during a prison transfer, of master criminal Arthur Tracy (Franco Fantasia). Tracy has been in stir for four years after thieving a fortune in jewels worth three … Continue reading Kill, Panther, Kill!
During the 1970s, Japan’s Nikkatsu Studio became famous, and yes most likely infamous, as the number one home for sleazy sexploitation, violent pink films, and just softcore porn in general. Although hardly the stuff of highbrow cocktail party conversations, the thoroughly exploitive nature of the Nikkatsu films doesn’t mean there wasn’t a lot of boldness and innovation thrown into the mix, resulting in more than a few highly enjoyable and daring films. Yeah, there was a lot of crap, but there’s always a lot of crap, and usually even the crap had something about it that was so bonkers and just not right that you couldn’t help but nod your head in its direction. In other words, where as Europe during the 1970s was constantly making ponderous, over-inflated films that begged the question, “Is it art or is it porn?” Nikkatsu was more concerned with generating the answer, “I don’t know if it’s art, but it sure is cool.”
When we reviewed 3 Seconds Before the Explosion, we stated that it was one of two Nikkatsu Studio espionage films released onto the home video market in the United States, both starring studio mainstay Akira Kobayashi. We also said that … Continue reading Black Tight Killers
When Nikkatsu Studio began to gain steam once again in the 1950s, thanks to the success first of their “Sun Tribe” films and then their “borderless action” style, their marketing department struck upon the clever idea of selling the studio’s … Continue reading 3 Seconds Before the Explosion