Let me start off by saying that I love Odin. Absolutely love it. All those people in the world who call it one of the worst animated films of all time? Liars. Every one of them. Dirty, rotten, filthy liars. … Continue reading Odin: Photon Space Sailer Starlight
Created by Japanese artist Monkey Punch (surprisingly, not his real name) in the 1960s, Lupin the Third was a mixture of James Bond, Matt Helm, Cary Grant from To Catch a Thief, and whatever guy you can think of who … Continue reading Lupin III: Mystery of Mamo
When author Donald Hamilton created the character of Matt Helm, he made him a bitter, edgy assassin full of regret. So how did he get turned into a campy boozer armed with endless boob jokes? “I was taking a martini … Continue reading From Donald to Dean: Matt Helm’s Oddball Adventure
When the only country in the world that has had atomic bombs dropped on it puts a mushroom cloud in one of its movies, it tends to have more resonance than when, say, the Italians do it. When the Italians set off an atomic bomb, it almost always heralds the arrival of post-apocalyptic, dune buggy-driving leather-and-shoulderpad aficionados. When Japan does it, however, it is something altogether heavier. It can also usher in not the solemn thoughtfulness one might expect, but at least in the movies I watch, instead signifies something supremely weird is about to happen, as if the sheer destructive capability is so difficult to wrap one’s head around — even when it’s been used on you — that there is no way to deal with it other than through the application of sheer strangeness.
Terror Beneath The Sea is a movie with a lot of charm. There are the wondrous conventions of Sixties science fiction: bold colors and sleek design, underwater cities built in miniature, torpedo battles, a safety-striped submarine, and even a Nehru-suited mad man. But Sonny Chiba is the most charming thing in Terror Beneath The Sea. As the romantic lead, Chiba portrays a character with an endearing sweetness he rarely, if ever, gets to present. In a way, Chiba is playing a character other than his usual “Sonny Chiba.”
The New York Asian Film Festival (read all our past coverage and reviews here) is one of the highlights of my year, and this year has been almost overwhelming. The number of films I want to see far exceeds the number of hours in the day I have to see them. The most impressive part of this year’s program, in my opinion, is the inclusion of some very rare Taiwanese exploitation films: Challenge of the Lady Ninja, A Life of Ninja, Woman Revenger, Lady Avenger, and the granddaddies of all Taiwanese “social issues” exploitation films, On the Society File of Shanghai and Never too Late to Repent, as well as the documentary, Taiwan Black Movies. Of the lot, I’ve heard of all of them but only ever seen Challenge of the Lady Ninja. Unfortunately, that remained the case throughout the festival, but I am hoping the work the NYAFF crew did in unearthing prints of these films might lead to them eventually finding their way onto DVD somewhere.
At first — and even second — glance, Last Tycoon is a movie that seems custom-made for me and based entirely on some of my favorite obsessions: Shanghai during the 20s and 30s, old-time fashion, Jazz Age decadence, shidaiqu (that … Continue reading Last Tycoon