Margheriti has to be credited for creating that rarest of rarities: a piece of pulp entertainment that delivers exactly what its title advertises.
Moon Zero Two just couldn’t beat out Neil Armstrong actually hopping around on the surface of the moon, even though the real moon ended up not having any dancing girls or scotch.
In the great scheme of things, Forbidden Planet is still probably the coolest of the 50s sci-fi films, if for no other reason than it’s completely weird musical score, but World Without End is a two-fisted action-packed little brother that may not be as respectable or ambitious, but just might be more fun.
The Cultural Gutter invited me and my monsters over for a cup of tea and a conversation about The Monster in Me, during which I wax philosophic about the history […]
Tomas Milian, the Cuban-born actor who made a name for himself as an actor in Italy, plays Basco, a ruffian who hangs with a seedy general who claims to be championing the cause of the common man when in fact he’s little more than a thug doing his best to amass a fortune for himself.
It’s been several years now that I’ve been searching for the elusive album by British actor Peter Wyngarde. Around these parts, Wyngarde is revered for his role as Jason King, the swingin’ international man of mystery, adventure novel writer, and part-time espionage agent.
It’s difficult to freshen up a hoary old concept without losing the essence of what made that concept eventually become hoary. Reinterpretations of classical monsters often go so far afield […]
You know, some days I have to try and find serious, thoughtful comments to make about films. Other days, I get to reviews films like Zombie 3 and this little gem from the collective mind of Lamberto Bava and Dario Argento. Lamberto, of course, is the son of Italian horror legend Mario Bava.
I’m going to have to cram a bunch of history up front in this review, so if you already know most of it, please forgive me. I feel it sets […]
I love Santo y Blue Demon contra los Monstruos. And, judging by the way it struggles so mightily to give me so many of those things that make me the happiest — like cheesy monsters, masked wrestlers, low budget gore, and lots of incoherent but frenetic fight scenes — I have to conclude that it loves me, too.