Category Archives: Books & Print

Harrowing Books of Varying Reputability

EDITOR’S NOTE: As a follow-up to High Adventure and Strange Characters, I asked Carol Borden of The Cultural Gutter to write a similar article covering twelve books she counts among her favorites and most personally influential.

So the authorities of Teleport City asked me to write about twelve books that I love. It turns out that not only am I terrible at listing favorites, I am kind of terrible at following directions. I started with twelve books I loved and then it turned into twelve books by authors I love. Then, the next thing I know, I’m culling some of them because I sense a growing indefinable theme, a theme of frequently harrowing books of varying reputability and often sinister dealings. I blame all the film noir I’ve been watching lately. These books have a wide range of sensibility and style, but I am very fond of them all.

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Cultural Gutter: Understanding the Aliens

Last month on The Cultural Gutter, I wrote about Nalo Hopikinson’s Brown Girl in the Ring the importance of diverse voices and experiences in science fiction. Following that thread, this month I’m looking at one of the grand ladies of science fiction, Octavia Butler, and the first book in her “Xenogenesis” series, Dawn. Understanding the Aliens explores Butler’s ability to tap into a truly visceral body horror and create a believably frightening, awkward “first contact” situation between humans and aliens. Special guest appearances by The Mote in God’s Eye and Mary Doria Russell’s The Sparrow.

James Bond vs. the ’80s

When last we saw James Bond, in 1984’s Role of Honour, we did not part on good terms. It was an awful book in my opinion, with clumsy romance and a tremendously dull plot full of James Bond flipping through manuals about the COBOL programming language before finally ending in an idiotic blimp finale, the culmination of a plot that could have easily been foiled a dozen times before it ever got off the ground. That aspect of the storytelling — a central plot that could easily been defeated with minimal risk in the early chapters of the book but is allowed to continue because “foiling it now is exactly what they’d expect us to do!” — will typify the next couple 007 adventures, although for the most part, they are more enjoyably dumb than tediously dumb.

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Cultural Gutter: A Relative Dystopia

Over on The Cultural Gutter, I’m writing about Nalo Hopkinson’s dystopian science fiction novel Brown Girl in the Ring. A Relative Dystopia is a look at how our culture, upbringing, and personal experiences can shape what we define as a dystopian future, and how people of a different race can look at the exact same thing at the exact same time and take away very different impressions.

High Adventure and Strange Characters

A Dozen Books that Made Me Who I Am, for Better or for Worse

They say if you want to write well, you need to be well-read, and while I may be deficient on a pile of classics and must-reads so vast that it seems hopeless to ever tackle it, I do try to do my homework, especially when it comes to the style of writing I’ve elected as my primary mode of creative expression: non-fiction. Specifically, journalism, dispatches, and accounts. In an effort to spread the good word and sell the books of a bunch of dead people (and a few live ones), I’ve compiled a woefully uncomprehensive list of a dozen of my favorite collections of literary journalism from a dozen writers I count as my favorite and most influential. Dozens more are lined up behind them, so I reckon this is just the first of what will potentially be several installments.

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Get Your Funky Bollywood

Known amongst the literati and intelligentsia as “the world’s foremost authority on Haseena Atom Bomb,” Todd Stadtman has somehow found time between his site Die Danger Die Die Kill, Teleport City, his many appearances on the Podcast on Fire Network’s Taiwan Noir show, co-hosting the Pop Offensive internet radio show, and rescuing puppies from burning buildings to write a book. And not just write a book, but write a book being published by FAB Press, the gold standard publisher of books about global cult cinema. Funky Bollywood: The Wild World of 1970s Indian Action Cinema is set to be released by FAB Press in March, 2015, but you can preorder a copy now.

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At the Matinee of Madness

If you happen to follow Teleport City on Facebook, you might have seen passing mention of a book we’ve been writing. No, not Bond Vivant — that is still happening and will be ready in 2015, but it is moving slow thanks to the amount of research being done (mostly at bars). I’m talking about At the Matinee of Madness. What? You haven’t heard? Then let me tell you the tale…after more abortive attempts and rejection letters than I can count, Teleport City is publishing a book.

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Cultural Gutter: …In a Galaxy Far, Far Away

Over on The Cultural Gutter, I’m following up last month’s article about the Han Solo Adventures with …In a Galaxy Far, Far Away, a look at 1983’s Lando Calrissian Adventures, a trilogy of pulpy space adventures written by a mad libertarian futurist and full of Lando thinking about fine tailoring, fine women, fine cigars, fine gambling, and in his spare time, rescuing multiple advanced alien races from obliteration while foiling the best laid plans of an evil space sorcerer.

Cultural Gutter: A Long Time Ago…

Over on the Cultural Gutter, I’m ringing in Yule, midwinter, and whatever other Pagan festivities we can dig up by writing about a topic I normally avoid. A Long Time Ago… Is the first of a two-part article celebrating the oddball pulpy adventures that served as the basis for the Star Wars Expanded Universe. This round, it’s Han Solo and Chewbacca in three nutty adventures from 1979.

Cultural Gutter: Return of the Tripods

Over on The Cultural Gutter, I’m taking a look at one of my favorite sci-fi book series from my youth. Return of the Tripods chronicles my revisit as a man grown to John Christopher’s Tripods trilogy: The White Mountains, The City of Gold and Lead, and The Pool of Fire, which I first discovered when they were serialized as a comic strip in Boys’ Life magazine.