Known amongst the literati and intelligentsia as “the world’s foremost authority on Haseena Atom Bomb,” Todd Stadtman has somehow found time between his site Die Danger Die Die Kill, Teleport City, his many appearances on the Podcast on Fire Network’s Taiwan Noir show, co-hosting the Pop Offensive internet radio show, and rescuing puppies from burning buildings to write a book. And not just write a book, but write a book being published by FAB Press, the gold standard publisher of books about global cult cinema. Funky Bollywood: The Wild World of 1970s Indian Action Cinema is set to be released by FAB Press in March, 2015, but you can preorder a copy now.
If you happen to follow Teleport City on Facebook, you might have seen passing mention of a book we’ve been writing. No, not Bond Vivant — that is still happening and will be ready in 2015, but it is moving slow thanks to the amount of research being done (mostly at bars). I’m talking about At the Matinee of Madness. What? You haven’t heard? Then let me tell you the tale…after more abortive attempts and rejection letters than I can count, Teleport City is publishing a book.
Over on The Cultural Gutter, I’m following up last month’s article about the Han Solo Adventures with …In a Galaxy Far, Far Away, a look at 1983’s Lando Calrissian Adventures, a trilogy of pulpy space adventures written by a mad libertarian futurist and full of Lando thinking about fine tailoring, fine women, fine cigars, fine gambling, and in his spare time, rescuing multiple advanced alien races from obliteration while foiling the best laid plans of an evil space sorcerer.
Over on the Cultural Gutter, I’m ringing in Yule, midwinter, and whatever other Pagan festivities we can dig up by writing about a topic I normally avoid. A Long Time Ago… Is the first of a two-part article celebrating the oddball pulpy adventures that served as the basis for the Star Wars Expanded Universe. This round, it’s Han Solo and Chewbacca in three nutty adventures from 1979.
Over on The Cultural Gutter, I’m taking a look at one of my favorite sci-fi book series from my youth. Return of the Tripods chronicles my revisit as a man grown to John Christopher’s Tripods trilogy: The White Mountains, The City of Gold and Lead, and The Pool of Fire, which I first discovered when they were serialized as a comic strip in Boys’ Life magazine.
My latest on The Cultural Gutter is Punching Cthulhu in the Face. Pulp fiction writer Robert E. Howard is best known as the creator of Conan the Barbarian. His stock in trade were fearless, muscular super-warriors who feared nothing and loved the red rage of battle against foes both human and supernatural. He was also a friend and fan of H.P. Lovecraft and tried his hand from time to time at stories set within the “Lovecraft mythos.” But how does Lovecraft’s style of vague dread and horror experienced by perpetually terrified academics hold up when the main player is, say, a skull-cracking Pictish king who laughs at the eldritch horror of the Elder Gods?
Back over at The Cultural Gutter for a Frolic Afield. Where is All You Angels? stared out as a jokey celebration of my favorite music video, Duran Duran’s “Wild Boys.” Things quickly spun out of control into an exploration of William S. Burroughs, LGBT rights, the mundanity of queer cinema, dayglo jockstraps, north Florida summers, and what a counter-culture loses when it wins its biggest battle. Also, we try to decipher just what the hell anyone was thinking when they made Arena.
I’m back on The Cultural Gutter for another Frolic Afield. Queue up the montages of civil unrest and warfare set to Buffalo Springfield and “All Along the Watchtower,” because Back to the World is a look at Joe Haldeman’s amazing 1974 “Vietnam War in space” novel, The Forever War.
It’s become popular in recent years for authors to write stories with the high concept of, “What if James Bond creator Ian Fleming had real-life James Bond adventures?” There have been several books published by several different authors using this as a premise, and two made-for-television movies (the most recent one airing on Sky in the UK and BBCA in the United States in February 2014). Certainly Fleming’s biography lends itself to such supposition. He was, after all, a notorious womanizer and drinker, a gadabout of the first degree from a well-heeled family that circulated in the rarefied airs of British society. And it’s true that he was a member of British Naval Intelligence during the Second World War and rightly earned a reputation for cunning and original planning (but no cunning plans as cunning as a fox that’s just been made professor of cunning at Oxford University).
Time to Frolic Afield once again for my monthly article on The Cultural Gutter! As a fan of cyberpunk from the 1980s, I often wonder if there’s any decent example of the genre that makes sense in what is basically our post-cyberpunk reality. Cyberpunk for a Cyberpunk World looks at why cyberpunk didn’t survive, why it should have, and how David Louis Edelman’s Jump 225 trilogy is the best example of post-millennial cyberpunk literature