I spent the better part of a week in New Orleans, seeking out voodoo hotspots and attending Tales of the Cocktail. My latest Frolic Afield for Alcohol Professor is about one of the many (very good) seminars I attended during that week. Bartender, There’s an Anchovy In My Drink is a look at the Italian Futurist movement and the futurist opinion on cocktails. And yes, one of the cocktails — or polibibita — had an anchovy chunk floating in it.
Time for another Frolic Afield over at The Cultural Gutter, where I am writing Einstein and the Bearded Lady, about the Czech science fiction comedy I Killed Einstein, Gentlemen (Zabil jsem Einsteina, panove) from 1970. The film asks the question, “What would men of the future be willing to risk to make sure women don’t have too much body hair?” Silliness ensues.
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A new frolic afield back over at Alcohol Professor. All Hopped Up on Whiskey is a look at the small but interesting trend of distilling finished beer into whiskey, or integrating the use of hops into the whiskey distilling process — not to mention the notion of seasonal whiskey like seasonal beers. I also talk to the guys from Sons of Liberty Distillery in Rhode Island and Darek Bell from Tennessee’s Corsair Distillery.
Another stroll through some of (but by no means all of) my favorite places in New York City, this time spread out across Brooklyn, Manhattan, and The Bronx (we’ll get to you, Queens; as for Staten Island, I’ll see what I can do). Another of the many things I like about this city — and really, about most places — is that it’s basically one big, open-air museum. Between free exhibits and things that are just on the street there to be witnessed, you can take in a tremendous amount of history, both mainstream and obscure, simply by doing a little research and walking down the block.
I have a new Frolic Afield up at my usual corner on Alcohol Professor. In a rare moment of timeliness, The Bar that Launched Pride is a look at the history of the Stonewall Inn and how a scummy shithole of a bar that blackmailed its gay customers became the rallying point for and birthplace of the LGBT rights movement in America.
Where does our Frolic Afield take us to this week? To Bardstown, Kentucky, by way of Alcohol Professor. Bottled History is a look at my visit to the Oscar Getz Museum of Whiskey History. From bottles of old Coon Hollow to a still they claim belonged to George Washington, it’s a fascinating — and free — look at the history of my favorite tipple told by an amazing assortment of artifacts.
His names are legion. His name is Legion. But maybe you know him as Scratch, or Ol’ Gooseberry. The Devil himself, if you will. He’s one of the most compelling literary figures of all time, despite, I imagine, the original intentions of the writers of the Old Testament. Poet John Milton turned the Devil into a brash anti-hero in Paradise Lost, and for many intellectuals who see religious fundamentalism as stifling to the pursuit of knowledge, he’s remained in his cool cat corner with lots of stories being written about him. Something about Lucifer lends to storytelling. It’s his unpredictability, perhaps. You never know if you’re getting the wretched evil Devil or the suave rebellious one. Or the witty one or the comedy one. With Jesus, you pretty much know what you’re going to get: Jesus. It’s not that there’s anything wrong with Jesus — Christian or not, you can admire some crazy dude from Nazareth who took on both the Romans and the religious establishment, told people not to submit to a corrupt priesthood, and then said you shouldn’t always be bashing each others’ heads in. But where do you go from there? That’s why the only people who ever tried to write the further adventures of Christ were the Mormons.
The phrase “in the wake of James Bond’s success” is probably the single most over-used phrase in any examination of the flood of spy films that flowed freely onto screens worldwide in the wake of James Bond’s success. Unfortunately, facts are facts and while the Bond films certainly were not the first espionage thrillers to grace the silver screen, they remain to this day the most popular and influential. While many of the films that followed Dr. No and From Russia with Love were very different from those two seminal Bond movies, there’s little doubt that Bond opened the doors, paved the way, and made producers a lot more interested in green-lighting spy movies. Nowhere was this truer than in Europe, where spy mania swept the continent and resulted in hundreds of espionage and caper films taking full advantage of the wealth of gorgeous European locations and equally gorgeous European screen sirens.
I walk a lot. Because I am cheap, and because New York is a city that rewards the walker. I walk a lot and take a lot of pictures, because this is also a city that changes with a breathless, frighteningly rapid pace. Sometimes for the best, sometimes for the worse, but either way what once was probably won’t be for long, so you can always stick around for the next iteration if you don’t like what you see today. So here’s thirty scenes, photographed with no particular skill on my part, in Manhattan and Brooklyn.
Frolicking afield once again, for my monthly article over at The Cultural Gutter. “You Can’t Make a Masterpiece Without Madness” takes a look at the documentary Jodorowsky’s Dune, the tale of how director Alejandro Jodorowsky’s ambitious adaptation of Frank Herbert’s Dune never got made, and how that story of “failure” is oddly inspiring and uplifting.