One would assume, then, that with a title like The Satanic Rites of Dracula, the sequel would follow in the footsteps of turning Dracula into a religious anti-icon. But then, honestly, what more can be done to make him Lucifer incarnate than having him summoned by rituals and pentagrams and strange runes?
The plot is a bit of a letdown, especially considering that it’s the first time Van Helsing and Dracula have been on screen together since the first movie.
Dudikoff may not be much of an actor, but he’s not so bad that you’d be shocked by how bad he is. He’s well-suited for the role, and he has Steve James on hand to provide some actual charisma
I wonder why the only time Superargo uses his super strength is when he throws the tree at the robots. The rest of his powers are pretty useless. He gets to levitate once, but he misses the chance to really piss off Dr. Wond by using mental powers to shatter the madman’s assortment of antique vases.
There are no eagles in it, and the acting and writing are nothing to highlight in your acting or writing class, but the cast is fun, the action is plentiful, and everything moves along nicely.
Sinbad’s crew is one for the ages, consisting of his trusted friends the Viking named Viking, Prince Ali, a bald guy named The Bald Cook, Poochy the Dwarf, and the Chinese Soldier of Fortune, who is played by a Japanese guy and dressed like a Thai ladyboy on his way home from a particularly colorful Siamese gay rights parade.
Aoki and Valance seem to possess almost no athletic ability whatsoever, and so to pass them off as fighters, Yuen relies on gravity-defying wirework and jumpy editing, as well as a dollop of CGI. He does the most he can with what little he has, but no one is going to be mistaking these gals for legitimate fighters. Even Hsu Chi was more believable.
Urotsukidoji is the tawdry piece of pornographic trash you’ve heard it is; it’s also not all that fiendish or corrupting. It’s just silly. But it is a major milestone in the history of anime, so if you are the type who needs or wants to understand the evolution of anime, then you pretty much have to deal with Urotsukidoji.
Big battles, small conflicts. Terrifying wars, charming flirtation. It’s all told with a sweeping sense of romance and adventure. And at the center of events that changed the world, there is a simple tale of doomed love. Like all epics, Asoka has it’s flaws, but I would still place it without hesitation among the very best epics ever made, and among the very best Bollywood films I’ve ever seen.
As far as anything-goes martial arts mayhem may go, the Bastard Swordsman saga may lack the breakneck choreography of Jackie Chan and Ching Siu-tung, or the technical ambition of Tsui Hark, but none of these short-comings really matter in the long run, because Bastard Swordsman and Return of the Bastard Swordsman are still spectacularly fun wuxia fantasies.