In the wake of the success of Universal’s 1931 shocker Dracula, there were many attempts to continue and/or cash in on its success, but for one reason or another, Universal itself was never able to capitalize on Dracula the same way it did when it turned both Frankenstein and The Mummy (and later, The Creature from the Black Lagoon) into franchises. Even in the later monster team-up House of… films, Dracula was at best a supporting player, even when his name was in the title, and the vampire prince of darkness didn’t really interact with the other monsters (or the main storyline). The fact that Dracula was so closely identified at the time with Bela Lugosi, and that Lugosi himself never returned to the role (at least in an official capacity), probably hindered Dracula from becoming the same sort of series as did the other Universal monsters. But where Universal failed, others were ready to step in and try to hitch their wagon to the Dracula gravy train…err, or some metaphor like that. Dracula liked gravy, right?
Kaiju films were old hat in Japan by the 1970s, but elsewhere in Asia the giant monster film industry was only just getting going. Inspired by Japanese movies like Godzilla and, even more so, television shows like Ultraman and Kamen Rider, aspiring (or canny) filmmakers (or hucksters) in Thailand, Hong Kong, and Korea decided they too would pit their cities against giant monsters and invading aliens against super-sized superheroes. South Korea was among the first kaiju copycats out of the gate with 1967’s Yongary. Because it’s Asian and features an irritating little kid in tiny shorts and a dinosaur-like giant monster, most people chalk it up as a Godzilla clone. It has far more to do, though, with that do-gooder crusading giant turtle Gamera and, in my opinion, even more to do with Western rip-offs of Godzilla and Gamera, like 1961’s Gorgo. Eh, whatever the case, a dude in a rubber suit was kicking over buildings and swatting model jets out of the matte painted sky much to the delight of all.
Morning mist was still clinging stubbornly to the ground when we pulled into the parking lot. My partner in crime rubbed the tiredness out of her eyes, which grew wide as soon as she realized what she was looking at.
“Did I lie?” I asked her as I pulled into a parking spot adjacent to the bottom row of chipped white concrete teeth that were part of the lower jaw of a gaping T Rex mouth that served as the entrance to White Post, Virginia’s Dinosaur Land. To our right were two more dinosaurs, one a brontosaurus, the other one of those two-legged beasts that, because no one knows exactly what it is, simply gets called an allosaurus. They were frozen in mid-menace of an Amoco gas station sign. To our left, just visible on the crest of a hill, was a giant octopus locked in mortal combat with a prehistoric shark. In front of us was a sign:
20′ Kong! 60′ Shark! 90′ Octopus! Christmas Shop!
Diamonds are Forever was a bit of a sightseeing vacation for our intrepid 007, a breather author Ian Fleming took in between more substantial books. From Russia with Love finds Bond and the Bond books back in top form for one of the best-loved stories in the entire franchise, films and books. From Russia with Love certainly deserves its lofty ranking, though to be honest, at the end of the adventure, we have another sightseeing excursion for Bond, who operates here as more of a supporting character along for the ride while everyone else does all the work.
It is fashionable, and has been for some time now, for Americans to dislike France. Our one-time close ally, the country that basically bankrolled the American Revolution, that gave the world Brigitte Bardot, Sophie Marceau, and Jean Reno — you surrender early in one little world war, and suddenly the US is holding a grudge against you for decades, exacerbated by your unwillingness to approve the occasional dubious war in the United Nations. Here, however, in this city of bon vivants and coquettes, we harbor no ill will toward our brothers and sisters on The Continent. They simply gave us and continue to give us too many wonderful things, including that statue I see in New York Harbor every day on my way to work.
By the time Ian Fleming typed out the last letter of Moonraker, he must have been satisfied with his creation but unsure of where James Bond could go from there. The books were pop culture juggernauts, so not following up with yet another James Bond adventure wasn’t really an option for Fleming. But if Diamonds are Forever is any indication of the man’s mindset, then Fleming was either tired of the formula established in his previous books or simply didn’t know what to do. As a result, Diamonds are Forever is markedly different from its predecessors in several ways, though I personally found it to be tremendously enjoyable even if it’s not exactly what people might expect after the bang-up action of Moonraker and Live and let Die. In some ways, it is structured a bit more like Casino Royale, though with the markedly tougher Bond we’ve seen emerge in the books since that initial outing.
There are a lot of pluses and a good number of minuses to living in a place like New York City. Among the pluses is that, if you time it so as to miss the traffic and drive in the right direction, it doesn’t take long for the city itself and its surrounding sprawl to melt away and be replaced by the forested peaks and craggy ridgelines of the Appalachian Mountains, or whatever it is that the yankees up here have named them. Ninety minutes can put you anywhere from the Delaware Water Gap along the New Jersey-Pennsylvania border to Bear Mountain along the Hudson River, or maybe the Shawagunks in New Paltz, home to some of the best climbing on the east coast.
“Hold on, hold on!” I shouted into the cell phone pressed against my ear in a vain and laughable attempt to seal out the cacophony of a passing delivery truck with a faulty muffler as it scurried out of the way of a fire engine.
“I can’t hear a damn thing,” I said, more to myself than to the distant, tinny voice trickling forth from the phone and struggling to be heard over the din with a determined might (or is it desperation?) not unlike that exhibited by those baby sea turtles who plunge for the first time into the unforgiving sea and must paddle wildly in flight from the myriad predators lined up to gobble them whole. I did my best to pin the phone between my shoulder and head so I could free my hands for scrawling down the directions on the rare event that I was able to hear them. Let’s see. Downtown F train at West 4th. Take that to the Carroll Street stop in Brooklyn. Leave the subway station and look for 2nd Street…
I am a sucker for a lot of things. A pretty smile, a nice pair of legs, a bottle of bourbon. I’m also a sucker for a good cave tour, or even a bad cave tour, and if you want to read some horrifying Freudian meaning into that, be my guest. It won’t affect my enjoyment of women, liquor, or cave tours in the slightest. A grew up an easy day trip to Mammoth Cave, the biggest cave system in the world, or at least that’s the record as I remember it. And my grandfather’s farm was pock-marked with caves, many of which were large enough for a kid high on Mark Twain adventures to explore, provided they weren’t staked out by a pack of wild dogs. That I have never outgrown my fascination with caves means that, even at my more advanced age, I rarely pass up a cave tour.
When America jumped headfirst into the ocean of folly that was the Volstead Act and Prohibition, the dedicated drinkers of the United States found any number of ways to respond to the madness. Over in Paris, ex-patriots drinking at the epicenter of the modern cocktail scene, Harry’s New York Bar, lifted their glasses in salute to their luckless countrymen who were forced underground and, in some cases, out beyond the three-mile limit that marked the offshore end of the US border. Three miles out, you entered international waters, and the powers of the US government to take your drink away vanished. So enterprising imbibers took to the high seas to enjoy their libations. Over in France, it seemed only appropriate to commemorate this new breed of seafarin’ revelers.