In 199..ummm, like 1993 maybe? 1994? No idea. But way back then, when I was high on Ongaku Otaku and Hijokaidan and CCCC, I decided to record my own experimental noise album. I had no real musical equipment, talent, or skill, but what I did have was a clunky 386 computer with some sort of DOS-based sound recording software, a bunch of old electronics, and a lot of VHS tapes. Using a lot of pretty advanced, high-tech recording and mixing techniques — like holding a mic up to a TV or playing two sound sources at the same time and holding a mic up to them (Realistic brand, if memory serves) — I managed to get a pretty big tangle of sonic mania dumped onto what was a pretty big hard drive back in those days, like easily three megs.
Another Frolic Afield! I’m back on Alcohol Professor, discussing the cocktails at the recently opened East Village bar Boulton and Watt. Continue reading Alcohol Professor: Cocktails at Boulton and Watt
Owing to its proximity, my interest in poking about in history, and the ease of getting to it by mass transit means, Washington DC has become … Continue reading Beyond The Smithsonian
My first official article is up now: At Play On the Planet of Men, about science fiction author Lois McMaster Bujold, her novel Ethan of Athos, and the way science fiction deals with female, LGBT, and minority characters, creators, and fans. Continue reading Cultural Gutter: In the Gutter Looking at the Moon
The New York Asian Film Festival (read all our past coverage and reviews here) is one of the highlights of my year, and this year has been almost overwhelming. The number of films I want to see far exceeds the number of hours in the day I have to see them. The most impressive part of this year’s program, in my opinion, is the inclusion of some very rare Taiwanese exploitation films: Challenge of the Lady Ninja, A Life of Ninja, Woman Revenger, Lady Avenger, and the granddaddies of all Taiwanese “social issues” exploitation films, On the Society File of Shanghai and Never too Late to Repent, as well as the documentary, Taiwan Black Movies. Of the lot, I’ve heard of all of them but only ever seen Challenge of the Lady Ninja. Unfortunately, that remained the case throughout the festival, but I am hoping the work the NYAFF crew did in unearthing prints of these films might lead to them eventually finding their way onto DVD somewhere.
I can’t remember exactly how it was I stumbled across the first in Gail Carriger’s Parasol Protectorate series. It was most likely a title dropped in passing by Veronica Belmont on the Sword and Laser podcast, coupled with the book then appearing on a Goodreads list of the best steampunk books. So I guess I take that first sentence back. Apparently, I remember exactly how I first heard of the book. Let’s move on, shall we? Anyway, it was a book well worth stumbling onto, and since finishing it, I’ve become a huge fan of the series and its author. The blend of supernatural shenanigans, romance, adventure, steampunk, and dandy vampires all wrapped up in a Victorian comedy of manners style tale was exactly the sort of breezy — but not unsubstantial — book for which I’d been hoping. Needless to say but here I am about to say it anyway, I was pretty excited to move on to the second book.
At first — and even second — glance, Last Tycoon is a movie that seems custom-made for me and based entirely on some of my favorite obsessions: Shanghai during the 20s and 30s, old-time fashion, Jazz Age decadence, shidaiqu (that … Continue reading Last Tycoon